Synopsis: When a mild-mannered businessman learns his identity has been stolen, he hits the road in an attempt to foil the thief -- a trip that puts him in the path of a deceptively harmless-looking woman.
Though Universal Pictures seemed the picture of suffering through 2012 -- crawling through the “Battleship” disaster and receiving tepid returns on their other large bets -- the year was in fact the studio's highest-grossing worldwide. “Ted,” “The Lorax,” and ...
Read More »So, a couple of things happened over the weekend. A major snowstorm nailed the east coast of the country, "Identity Thief" opened to huge numbers making it the best R-rated comedy bow of all time, and the largely irrelevant and already cantankerous Rex Reed penned a scathing review of the ...
Read More »It's a big weekend for names. Steven Soderbergh is back for one last go-round on the theatrical circuit (read our retrospective of his work here). Indiewood favorites of this past fall, John Hawkes and Bill Murray, show up to remind us how fantastic they are (and why they should have gotten Oscar no...
Read More »With all the serious Oscar movies followed by a month of limp offerings at the box office, we can undertand if you need a good laugh. And the first major comedy of 2013 (sorry, the terrible "A Haunted House" and "Movie 43" don't count) arrives with "Identity Thief."...
Read More »As folks will soon see during the end credits of "This Is 40," Melissa McCarthy is an improv machine. “I've seen people in tears before, but that was something otherworldly. People were leaving the room -- crew had to leave. It was impossible, and she just kept her composure...
Read More »Pairing likable Jason Bateman as a victim and outrageous Melissa McCarthy as the title character in "Identity Thief" would seem to be a perfect comedy setup. The results, however, are less than perfect…
Read More »Our network of critics have deemed Cate Shortland's new film, a tale of postwar survival, the film to watch this weekend. Also in this week's edition of Criticwire Picks: a new look at two documentaries and the film from the late '60s that hasn't aged quite as well with Criticwire members.
Read More »When studios screen comedies for critics, there is typically an audience there, no matter how far in advance the screening. The reason, of course, is that an audience responding to a comedy in a positive way has a kind of transformative power – laughing and having fun with your fellow moviegoers is ...
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