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When an affluent matriarch gathers her dysfunctional family for a holiday at their Northern California lake house, her carefully constructed weekend begins to come apart at the seams, leading her to question her own role in the family.
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Smith on his ambitious goals for Viceland, why his partners wish Vice was more controversial, and how the media is focusing on the wrong things with Trump.
Now that we’ve witnessed the finales for “The Leftovers” and “The Handmaid’s Tale,” what’s next?
Filmmaker Toolkit Podcast, Ep 31: The “It Comes at Night” director talks about how he got his early start.
"Dead Men Tell No Tales" co-director Joachim Rønning talks about what it's like to make the transition to a franchise film costing a reported $230 million.
What the decline of theatrical releasing means for low-budget filmmakers trying to get a foot in the door.
The show has a gritty, visually aggressive look for a period show on a budget. Here's how they do it.