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Stuck at a crossroads in her personal life, it falls on Miss Stevens to chaperone three of her students — Billy, Margot and Sam — on a weekend trip to a drama competition. Exploring the fine line between being a grown up and being a kid, MISS STEVENS is about students becoming teachers and teachers realizing that the messiness of youth never really goes away. [Synopsis courtesy of SXSW]
With her directorial debut, “The Keeping Room” screenwriter Julia Hart proves that she belongs behind the camera.
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"Game of Thrones" is out, so what new and returning contenders will have a shot at the crown?
A slew of new comedies — led by “Atlanta” — will fight for a slot in an ultra-competitive race.
HBO is looking to reclaim this category after losing to “Sherlock” in 2016, but PBS, Lifetime, and more have strong Emmy offerings.
The first episode of National Geographic’s “Genius” finally broke the filmmaker’s TV dry spell, and he explains why.
From scripted non-fiction like “You Must Remember This” to group chats like “Filmspotting,” there’s a great film podcast for all tastes.
Plus: Highlights from the latest Cannes Film Festival announcements.
The ‘Dharma & Greg’ star couldn’t resist the challenge that came with acting opposite an animated character. Also: Elfman on why she doesn’t mind blocking haters on the Internet.
How does being your own cinematographer change how you work as a director.
IndieWire investigates how the Lucerne International Film Festival used Amazon, Vimeo, and copyright laws to get away with selling films by Terrence Malick, Pedro Almodovar, and dozens of indies.
Also, 2017 Sundance Screenwriting Intensive, TFI Sloan Student Winner and BVAC Fellows announced.