Synopsis: In the new film by controversial Korean auteur Kim Ki-duk, a brutal man employed by a loan shark is forced to reconsider his violent lifestyle when a mysterious woman appears claiming to be his long-lost mother. But, as his attachment to her grows, he begins to discover the gruesome and tragic secret that made her seek him out. [Synopsis courtesy of TIFF]
We haven't hit Memorial Day Weekend yet, but it's official: Summer Blockbuster Season is underway. Between comic books, Michael Bay's latest flick, a Tom Cruise vehicle, and summer dalliances in the Hamptons, the second installment of the rebooted "Star Trek" franchise almost seems superfluous. Almo...
Read More »Gotta be honest here, we didn't care much for Kim Ki-Duk's "Pieta" out of Venice. The picture semi-controversially beat out "The Master" at the Venice Film Festival last year for the Golden Lion (there was some confusion about how many awards one movie could win or something), and while the director...
Read More »Tim League's Drafthouse Films has acquired "Pieta," South Korea's official entry in the 2013 Best Foreign Language Oscar race. From award-winning director Kim Ki-duk ("Spring, Summer, Fall, Winter... And Spring"), the violent must-see drama, which I saw in Toronto, focuse...
Read More »Drafthouse Films has acquired North American distribution rights to Korean director Kim Ki-Duk's "Pieta," the Alamo Drafthouse distribution arm announced Tuesday. The company plans a limited theatrical and multi-platform VOD release for 2013.
Read More »Moviegoing prospects looks good this weekend, as J.J. Abrams' well-reviewed "Star Trek Into Darkness" continues its opening weekend after a Wednesday debut, and a slew of appealing limited release titles hit screens. One of these is Noah Baumbach's critical darling "Frances Ha," starring likable mus...
Read More »With only a few days left of the Venice Film Festival, no clear front-runner has emerged to pick up the Golden Lion. “The Master” is probably the best-received film to date, but festival juries often shy away from the most obvious pick. “To The Wonder,” “At Any Price” and “Fill The Void” all have th...
Read More »The Toronto International Film Festival continues through next weekend, but Indiewire has already reviewed a significant portion of the program at various other festivals over the past year.
Read More »With only a few days left of the Venice Film Festival, no clear front-runner has emerged to pick up the Golden Lion. “The Master” is probably the best-received film to date, but festival juries often shy away from the most obvious pick. “To The Wonder,” “At Any Price” and “Fill The Void” all have th...
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