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In London, a drug dealer grows increasingly desperate over the course of a week after a botched deal lands him in the merciless clutches of a ruthless crime lord. The more desperate his behavior, the more isolated he becomes until there is nothing left standing between him and the bullet his debtors intend to fire his way.
Nolan has never been nominated for an Oscar for his directing. “Dunkirk” may finally change that.
The star on why his Nerd HQ took a year off, plus his hosting ambitions, what’s next – including a meaty role in the new “Psych” movie – and the status of a “Chuck” reunion.
Filmmaker Toolkit Podcast Ep. 36: David Lowery talks about creating a cinematic language to capture the enormity of time.
Plus: We debate Tarantino’s choice for a new project and why the Emmys are so much more diverse than the Oscars.
The "Hot Fuzz" director's visceral approach to staging his new car chase movie recalls a style of action filmmaking that Hollywood abandoned long ago.
As franchise movies start to act a lot like TV shows, the role of director as storyteller is disappearing in our popular culture.
Rooftop Films were backers of Lena Dunham, Behn Zeitlin and Ana Lily Amirpour before anybody had heard of them. Here’s who they think is next.