Synopsis: The British filmmaker Patrick Keiller is a master of the personal cine-essay and the political landscape film. As in his previous psycho-geographic tours London (1994) and Robinson in Space (1997), this new work purports to be constructed from footage recorded by Keiller’s fictional alter-ego, the peripatetic researcher Robinson. Striking images of nature and marginal sites (military bases, opium fields, lichen growing on a traffic sign) are paired with the measured tones of a narrator (Vanessa Redgrave) who recounts Robinson’s progress through the south of England and pieces together his notebook of musings on, among many other subjects, agriculture, architecture, the collapse of late capitalism and the extinction of the planet. Packed with secret histories, hidden connections, and a few whimsical fictions, Robinson in Ruins is a work of towering ambition and sly humor, densely informative but never dry, slicing through space and time with wit, alacrity, and eccentric intelligence. [Synopsis courtesy of the New York Film Festival]