Synopsis: What happens when a very white European man buys his way into being a diplomat in one of Central Africa's most failed nations? Welcome to the bizarre and hidden world of African diplomacy, where gin and tonics flow and diamond hustlers and corrupt politicians run free. [Synopsis courtesy of Sundance Film Festival]
Austin-based Drafthouse Films has partnered with Films We Like to distribute its content across Canada. The first films that will be released through the deal are “The Ambassador,” “Wrong” and “Bullhead.”
Read More »Here's a new clip from a film we've been following, but I haven't had a chance to see yet (I finally will this week), titled The Ambassador - provocative Danish director Mads Brügger's said to be darkly comic, genre-bending piece of journalism, in which he ri...
Read More »A film we've been following here on S&A as it travels the film festival circuit, but I haven't had a chance to see yet (I finally will next week Tuesday), titled The Ambassador - provocative Danish director Mads Brügger's said to be darkly comic, genre-bendin...
Read More »I've yet to see this yet, but reviews I've read since its Sundance Film Festival debut earlier this year, have been decidedly mixed.
Read More »While Sacha Baron Cohen has gone into character for films like "Borat" and "Bruno" to deliver laughs along with a sharp look at America's social and cultural hang-ups and curiosities, in the provocative documentary "The Ambassador," filmmaker Mads Brügger takes...
Read More »Out This Week is a weekly column intended to provide reviews of nearly every new indie release. Reviews are written by Indiewire critic Eric Kohn and other contributors where noted.
Read More »At the beginning of "The Red Chapel," the 2010 exposé of North Korean society directed by Danish comedian Mads Brügger, the filmmaker establishes his ruse from the outset, swiftly enunciating his intention to satirize the country's oppressive extremes by pretending to embra...
Read More »If there’s one thing that New Directors/New Films had trouble doing this year, it was generating a consensus. Out of the films that screened as part of this year’s festival, 12 received both A's and F's from critics who attended screenings at the MoMA/Film Society of Lincoln Center series, which con...
Read More »