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In 2009, Alex Gibney was hired to make a film about Lance Armstrong’s comeback to cycling. The project was shelved when the doping scandal erupted, and re-opened after Armstrong’s confession. The Armstrong Lie picks up in 2013 and presents a riveting, insider’s view of the unraveling of one of the most extraordinary stories in the history of sports. As Lance Armstrong says himself, “I didn’t live a lot of lies, but I lived one big one.”
Academy voters show their serious side with this year's nominations — and that could give African-American drama "Moonlight" a Best Picture advantage.
Who made the cut? And who didn't? Here's a quick look at some of the unexpected results.
Check out our one-one-one video exclusives with contenders Amy Adams, Joel Edgerton, Meryl Streep and more.
To celebrate the 100th episode of Very Good TV Podcast, a few of IndieWire's favorite TV people shared their thoughts on the significance of TV in 2017.
There are some other issues competing for air time these days. Plus: Is “The Great Wall” really all that bad?
Creators Tony Phelan and Joan Rater on how their transgender son inspired them to cast Laverne Cox on the new CBS legal drama, alongside Katherine Heigl and Elliott Gould. Plus: A roundup of the week’s new shows.
Very Good TV Podcast — Sunday night is more than all right for TV.
Filmmakers tell IndieWire what cameras they used to shoot their Sundance films and why they chose them.
IndieWire asked Sundance filmmakers how the election changed the way they viewed their films and careers. Their answers are as varied as their films.
Screen Gems is using the $3,000 Sony a7S II to shoot "Cadaver" in what will likely be a continuing trend for the mini-major studio.