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The Midnight After

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    Berlin Reviews: 'Butter On The Latch,' ‘The Third Side Of The River,’ ’El Somni’ & ‘The Midnight After’

    Indie filmmaker Josephine Decker pulled off one of the major coups of the Berlin Film Festival—a “Double Decker.” A cute phrase to communicate the fact that she had her two debut films, “Thou Wast Mild and Lovely” and “Butter On the Latch,” both accepted and premiering at the Berlinale. It's certai...

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    Berlin Review: Fruit Chan's Post-Apocalyptic 'The Midnight After' Is a Wry Satire That Demands Your Attention

    Hong Kong's densely populated metropolitan society is the on the verge of sliding into chaos, or at least that's the tantalizing possibility explored in wry allegorical terms by director Fruit Chan in his erratic but entertaining post-apocalyptic satire "The Midnight After."

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