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The Girl From Monaco

  • Indiewire  Reviews

    One Good Turn...: Anne Fontaine’s “The Girl from Monaco”

    French romantic comedies are the art-house import equivalent of pimped-out Hollywood blockbusters. Both appeal to a wide and diffuse target audience — moderately cultured bourgeois and pop thrill seekers — and both are basically critic-proof. Where Michael Bay obliterates scrutiny with fireballs and shiny screeching machinery, French comedies gently neutralize through learned banter, exotic settings, and scantily clad gamines. The machine works something like this: an older gentleman clicks into place across from a fresh face, situational laughter is achieved while clothes teasingly peel away, a titillating trailer cuts itself, Denby reviews ...

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