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Celebrating 17 Years of Film.Biz.Fans.

What Maisie Knew

  • Caryn James  Reviews

    BEST FILMS OF 2013

    I am absolutely certain about the top three films on this list. But the further down we go, the more absurd it seems to rank films as different as the Coen Brothers' wonderfully layered look at a struggling folk singer in the 60's and Martin Scorsese's bacchanalia of 80's excess.

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  • Thompson on Hollywood  Reviews

    Your Week in Streaming: Artists, Devils, Lovers and More on VOD, and the Best Gay Art Film David Lynch Never Made

    As the summer parade of megaplex fare comes to a close, your weary eyeballs may be in need of some fresh content to view from home. Here's a handpicked roundup of excellent films, new and old, available across various streaming and VOD platforms that you may have missed.

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  • Caryn James  Reviews

    DVD: Julianne Moore, Steve Coogan in the Exquisite 'What Maisie Knew'

    If they hadn't kept the title, you might not guess that Scott McGehee and David Siegel's What Maisie Knew was based on Henry James' novel -- and that's high praise for this contemporary, Manhattan-set variation, with Julianne Moore as a rock singer and Steve Coogan as an art dealer. A lovely exa...

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  • The Playlist  Reviews

    Review: 'What Maisie Knew' Is Deeply Affecting, Hard To Watch

    It’s often an easy way to handicap your film, by centering it on a child character and demanding a great deal from the young actor. By definition, children are not fully-formed people, but a character in a film must be either fully-formed to yield proper dramatic results, or so uniquely authentic th...

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  • Indiewire  Reviews

    TIFF Capsule Review: 'What Maisie Knew'

    The latest by the directorial team of Scott McGehee and David Siegel is a modernized take on Henry James’ novel about a sweet little girl who’s saddled with two of the world’s worst parents. Indeed, it’s hard to imagine a pair less deserving of six-year-old Maisie (Onata Aprile) than Susanne (Julianne Moore), a temperamental rock singer, and Beale (Steve Coogan), an art dealer who’s even more self-involved. Since their selfishness is made perfectly clear in the opening scenes depicting the couple’s breakup, it’s a shame that McGehee and Siegel feel the need to reiterate the point so often as Maisie...

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