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Filmmaker Toolkit: Production

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    How I Shot That: Filming Sundance Drama 'Fishing Without Nets' at Sea was like a Roller Coaster

    Cinematographer Alex Disenhof spoke to Indiewire about shooting "Fishing Without Nets," a U.S. Dramatic entry that premiered at the 2014 Sundance Film Festival and was directed by Cutter Hodierne.

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    The Cinematographer, Money and You: A Beginner’s Guide to Paying Our Rate

    The Cinematographer, Money and You: A Beginner’s Guide to Paying Our Rate

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    How I Shot That: Filming a Young Cast in Sundance Drama 'Hellion'

    Cinematographer Brett Pawlak told us about filming "Hellion," a U.S. Dramatic entry at 2014 Sundance. His previous shooting credits include "H+ Digital Series," "Short Term 12" and "I am not a Hipster."

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    How I Shot That: Shooting Sundance Drama 'The Sleepwalker' with Booklight Grip

    Cinematographer Zachary Galler talked with us about shooting U.S Dramatic entry "The Sleepwalker" at 2014 Sundance. He has also shot for film "She's Lost Control," which will premiere at Berlin later this year, as well as horror film "The Confines."

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    How I Shot That: Going Hand-Held in Sundance Drama 'Low Down'

    Cinematographer Christopher Blauvelt's latest project is "Low Down," directed by Jeff Preiss and screening at Sundance 2014.

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    How I Shot That: Andrew Rossi on His Sundance Doc 'Ivory Tower'

    Before his latest documentary "Ivory Tower," Andrew Rossi's previously shot "Page One: Inside the New York Times," "Le Cirque: A Table In Heaven" and his first film "Eat This New York." "Ivory Tower" premiered in the U.S. Documentary section at Sundance.

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    How I Shot That: The Golden Moments in Sundance Documentary 'Rich Hill'

    Cinematographer Andrew Droz Palermo spoke to us about shooting "Rich Hill," a U.S. Documentary entry at 2014 Sundance Film Festival.

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    How I Shot That: Capturing the Private Moments in Sundance Entry 'Cesar's Last Fast'

    James Chressanthis has worked on numerous projects over the last several years as a cinematographer. His latest, "Cesar's Last Fast" screening at The Sundance Film Festival, is a documentary chronicling Cesar Chavez's 36-day water-only fast in 1988. Here's how he shot it.

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    Hollywood Loves A Good Con: Why We Need a System for Vetting Film Investors

    Slated Editorial Director Colin Brown is back with the final installment essay in his series on packaging films.

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    Attention, Hollywood: Star Directors and A-Name Actors Are Great. But It's the Team That Counts.

    Colin Brown of Slated writes about the right team is more important than a star director or actor.

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