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Production

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    Campion on Bright Star

    I sat down with New Zealand director Jane Campion at Cannes to talk about Bright Star a full sixteen years after I first met with her, for The Piano, for which she was the only woman to ever win the Palme d'Or in the 62 year history of the fest. Tragically, she lost the child she was carrying that y...

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    Avatar: Cameron's New Frontier

    The irony is that while the latest Star Trek invokes the old promise to take you where no man has gone before, the movie itself, while giving you a very good time, takes you back to a familiar and pleasant sci-fi universe, and does so using existing cinematic technology.

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    3-D Conquers NAB

    I'm out of my element in Vegas for my first-ever National Association of Broadcasters convention. Monday I did a Q & A with stop-motion auteur Henry Selick, who ran some nifty clips from Nightmare Before Christmas, James and the Giant Peach and the surprise $74-million hit Coraline, which is startin...

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    Monsters vs. Aliens Brings 3-D Invasion

    One of the surprises of the year so far is how well Henry Selick’s 3-D animated gothic fairy tale Coraline lasted at the b.o.; this weekend brings DreamWorks Animation's Monsters vs. Aliens and a spate of 3-D offerings are on the way. Even the venerable Cannes Film Festival, which has made an annu...

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    Coraline's Selick on the Fantastic Garden

    Remarkably, on its fourth weekend, the well-reviewed Coraline is still hanging in there--it grossed more than $5 million and placed eighth on its way to some $70-million in total domestic gross--even though new opener JonasBrothers: The 3-D Concert Experience took over its 3-D theaters.

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    Avatar's James Cameron Talks 3D

    Variety tech wonk David S. Cohen conducts an in-depth interview with James Cameron about something he knows a little bit about: 3D. An early believer and innovator in the technology that looks to revolutionize the way many movies are made, Cameron expounds at length. (He reveals some tech details on...

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    The Digital Future: Are These the Good Old Days?

    David Cohen here, while Anne Thompson is away for the week. Had lunch recently with tech legend Ray Feeney to talk about what's going on with visual effects, digital production and 3-D. Ray has been saying for a while now that the industry is undergoing it's biggest transformation since the advent of sound. Bigger than color, certainly. But the question is, what is the industry being transformed into? Ray's argument is that an all-digital pipeline -- everything from cameras to post to digital projectors to mobile video -- isn't just a different way of making movies, it's a new medium. But when every new medium is introduced, people start by ...

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    Oscar Watch: Bay Hosts Transformers Tech Show

    Transformers director Michael Bay returned to the scene of the crime Thursday night at the Cary Grant mixing stage at the Sony lot to revisit the Oscar-nominated achievements in VFX and sound. The place was packed with filmmaking geeks eager to hear and see the behind-the-scenes machinations that go...

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    Awards Gauntlet Syndrome

    Pity the poor filmmaker with an Award season movie to flog. If it's good enough to have a shot at some awards attention, then the distrib is going to make you do the rounds: the guild screenings and Q & As, the dinners, the AFI Fest, the Hollywood Fest, the Variety screening series, my UCLA Sneak Previews class, the Behind the Camera Awards--and that's just the beginning. As we go on there's the gauntlet of awards ceremonies, the LA and NY critics, the Board of Review, the Indie Spirits, The Gothams, the Golden Globes, the SAG Awards. The real horror is keeping the thing going all the way to the Oscars. If I were Julian Schnabel, I'd pack my ...

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    Miller Talks 300

    (Photo: Albert L. Ortega/WireImage)

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