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Drama

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    Gender Watch: Is Social Network A Sausage Fest or Sexist? Franco in Drag, Manly Names

    - If The Social Network wasn't scoring at the box office and with critics would women writers keep piling on this ongoing debate? Women And Hollywood's Melissa Silverstein argues that controversy surrounding the film's lack of female characters proves "in no uncertain terms that you can’t get away with this even if the movie is good and even if it may be an Oscar front runner." She's referring to what PopWatch's Jennifer Armstrong defines as "downright appalling depiction of women," which "is horrendous, like, ’50s-level sexist - if this were fiction, the snubs would be inexcusable," serving as "strong evidence that we still need feminism." T...

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    The Great Gatsby: Pitt vs. Pitt, Mulligan vs. Portman, Casting Poll

    - The rumored Great Gatsby remake isn't that far along, it seems. While Deadline sets the record straight on the project's future--the remake might be Baz Luhrmann's next picture, but so might an original musical at Media Rights Capital--the movie does inspire juicy casting ideas.

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    The Social Network's Treatment of Women, Winterbottom's Kercher Murder Mystery to Star Firth

    -It's no surprise that David Fincher and Aaron Sorkin's The Social Network is getting Oscar-buzz, zeitgeist hype and debates about what is fact and fiction. Now the role of women in the film is kicking up controversy. The Daily Beast's Rebecca Davis O'Brien argues that the femme roles are props in a...

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    For Colored Girls Campaign is Old-Fashioned

    Lionsgate has been talking about an Oscar campaign for Tyler Perry's screen adaptation of For Colored Girls (from Ntozake Shange's poetic 1975 hit Broadway play For Colored Girls Who Have Considered Suicide when the Rainbow is Enuf).

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    Weekend Box Office: The Social Network Clicks to Top

    The most buzzed-about launch of the fall season, The Social Network met (but did not exceed) expectations with a $23-million start, while hard-R vampire thriller Let Me In proved to be a classic tweener: too bloody violent for upscale smart-house crowds and too European for mainstream gore-hounds. Anthony D'Alessandro explains:Sony’s PG-13 Facebook origin myth The Social Network effortlessly clicked its way to the top box office spot with $23 million – a number which was in line with studio estimates, but fell short of crashing any ticket booth’s computer with a fall record.  Two R-rated thrillers, Overture’s vampire remake Let Me In and Para...

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    Movie Marketing as Social Network: Official Site vs. Facebook Page

    Ad Age marketing whiz Chris Thilk is disappointed by the official websites for most films. He often asks, "That's it?" after not finding relevant info: bios, multiple trailers, image galleries, etc. Social networking sites (say, Facebook) feature "like" buttons that take advantage of fans as pro-bon...

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    Oscar Watch: Sony Pictures Classics Sends First Screeners

    Sony Pictures Classics marked yet another start of the awards season by sending out the first screeners--they will have many more to follow--of two films already in release, Rodrigo Garcia's relationship drama Mother and Child, starring Annette Bening, Naomi Watts and Samuel L. Jackson, and David Mi...

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    Social Network Update: Charlie Rose, Wired

    It's fascinating to see the dynamic between The Social Network visualist David Fincher (not a wordsmith) and scribe Aaron Sorkin on Charlie Rose. Fincher seems deferential, and Sorkin dominates the space. Not the usual director/writer interaction.

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    Embracing Claustrophobic Movies

    Riffing off such recent movies in tight spaces as Buried and Devil (which are struggling at the b.o.) and Danny Boyle's upcoming 127 Hours, Vulture posts their list of the eleven most claustrophobic films. They note: "Confining your film to a single space certainly has its advantages: a lower budget...

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    Gotham Screen International Film Festival Kicks Off October 7th

    The 4th annual Gotham Screen International Film Festival opens October 7 and runs eleven days, centralized at New York's Tribeca Cinemas.

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