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    Bruno Ganz To Be Honored by European Film Academy

    Younger folks probably know Bruno Ganz best from those endless YouTube Hitler parodies taken from Oliver Hirschbiegel's Downfall (2004); but he is one of the world's great actors and thus I am delighted to report that the European Film Academy will honor the legendary Swiss actor at their European F...

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    TIFF: Lionsgate and Roadside Buy Redford's The Conspirator

    Lionsgate specialty division Roadside Attractions has bought U.S. distribution rights for Robert Redford's historical thriller The Conspirator, which premiered in Toronto last Saturday.

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    Scorsese's Mafia Movie Dream Team, Mulligan in My Fair Lady, Cher and Fonda Aging Gracefully?

    - It sounds too good to be true; Al Pacino, Joe Pesci, Robert De Niro and Martin Scorsese all working on a hitman drama entitled The Irishman? It's one of a handful of projects Scorsese is considering for his next film (he's currently shooting 3-D Hugo Cabret with Chloe Moretz, Jude Law, Emily Mortimer, Ben Kingsley and Sacha Baron Cohen). De Niro has been developing the picture at Paramount through his Tribeca Productions. The script is written by Steve Zaillian (Schindler's List, Gangs of New York, David Fincher's Dragon Tattoo series), based on the 2004 book I Heard You Paint Houses: Frank "The Irishman" Sheeran & The Inside Story of The M...

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    Exclusive Interview: With Somewhere, Sofia Coppola Grows Up

    Sofia Coppola's Somewhere, which was the surprise winner of the Golden Lion in Venice, will be released by Focus Features this December.

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    Waiting for Malick: Which Film Fest Will Debut Tree of Life?

    After not showing at Cannes or Venice, Terrence Malick's The Tree of Life did screen at Telluride: but only six people saw the cut-down movie (two hours, 15 minutes) at two separate screenings for Sony Pictures Classics and Fox Searchlight, which landed the picture. The Tree of Life is inspiring rav...

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    TIFF: Barney's Version Early Reviews

    Canadian producer Robert Lantos was smart to world premiere the long-gestating Barney's Version at the Venice Film Festival instead of home-town Toronto; the book sold over over 700,000 copies in Italy, and won Venice's Golden Lion Cub award (voted by high school students). Lantos even moved the Par...

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    I'm Still Here Reviews: Fascinating, Hilarious, Genuinely Hated, Nucleus of Truth

    It shouldn't need an introduction by now (Variety calls it the "most publicly prominent piece of performance art ever"), but The Playlist provides a useful Idiot's Guide To I'm Still Here (which premiered at Venice and opens Friday) in the intro the their own review: "The 'is this a joke' aspect of the entire affair was perhaps best typified on the much-watched bizarro appearance on the Late Show With David Letterman where the celebrity mumbled meekly throughout and the talk show host mocked Phoenix for barely being mentally present. I'm Still Here is a document of that lost-in-the-wilderness period directed by Phoenix's brother-in-law Casey ...

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    The Town: Early Reviews

    Following its September 8th premiere at the Venice Film Festival, reviews for Ben Affleck's second film (in theatres September 17th) are decidedly mixed, though none (excluding The Guardian's harsh review, after the jump) go so far as to deny it is a worthwhile slice of gritty Boston crime in tune w...

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    Exclusive Clip: Never Let Me Go

    Pre-Toronto, we're happy to reveal a new, exclusive clip of Never Let Me Go (here's TOH's positive review). Director Mark Romanek and writer Alex Garland's adaptation of Kazuo Ishiguro's novel features Carey Mulligan, Keira Knightley and Andrew Garfield as students of Hailsham boarding school, a mys...

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    Fassbender/McQueen Reunite, Studio Critique, Love And Other Drugs, Mulligan Talks Never Let Me Go

    - The Guardian calls Hollywood's summer box office victory - approximately a 2.4% lead on 2009 - a hollow one; "the abiding memory of summer 2010 will be of a decline in standards" (the standards of storytelling, not technical effects). The arguments behind this hollow victory include the decline in actual people in theatre seats (lowest since 1997) and the rise in revenue (thanks, 3-D), the root of which conflicts with studios' growing challenge to stay relevant amongst growing sources of alternative entertainment (if they're only making movies for profit, they're undermining the argument for preserving the relevance of film). The Guardian a...

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