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Foreign Films

  • Indiewire
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  • Leonard Maltin
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    Aftermath

    Writer-director Wladyslaw Pasikowski has structured "Aftermath" like a mystery; revealing itself one layer at a time.

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    Martin Scorsese to Preside Over Marrakech International Film Festival Jury

    The star-packed Feature Film Jury of the 13th edition of the Marrakech International Film Festival was recently announced. Marion Cotillard, Patricia Clarkson, and Park Chan-wook are among the jurors with the president of the jury being director Martin Scorsese.

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    The Hunt

    When a film dramatizes a credible situation and holds you in its grip, even as it makes you squirm with discomfort, that’s storytelling above and beyond the norm.

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    A Hijacking

    What can you say about a thriller that seems absolutely real, so convincing it might be a cinema verité-style documentary?

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    NO

    An Oscar nominee for Best Foreign Language Film this year, Pablo Larrain’s No is a persuasive docudrama that chronicles the efforts to unseat Chile’s dictator Augusto Pinochet in 1988.

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    Meet the LAFF Filmmaker #8: 'Thursday Till Sunday' Director Dominga Sotomayor

    Four of "Thursday Till Sunday" director Dominga Sotomayor's short films have travelled to festivals. "November" and "Below" during his time studying as an Audiovisual Director at Universidad Católica de Chile, and "Videogame" and "The Mountain&...

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  • Leonard Maltin
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    The Intouchables—movie review

    Last year, Harvey Weinstein brought a French film called 'The Artist' to the U.S. and wound up with an armful of Academy Awards. This year he’s presenting another Gallic import that not only was a box-office smash, but features Omar Sy, who beat out Jean Dujardin for the Best Actor prize at the Césa...

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  • The Playlist
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    Review: 'Oslo, August 31st' A Tender, Bleak Search For Hope

    A reprint of of our review from the 2011 Cannes Film Festival.

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    Headhunters—movie review

    I can’t remember the last time a movie surprised me as much as 'Headhunters': not just its story twists and turns, which are considerable, but its continual stripping of character veneer and overall audaciousness left me breathless.

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