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    Oscar-Winner In a Better World's Box Office Slashed by Harsh Reviews UPDATED

    Since when is winning an Oscar a bad thing? In his disparaging NYT review of In a Better World, A.O. Scott uses its recent foreign Oscar win as a warning sign: “In a Better World,” directed by the Danish filmmaker Susanne Bier and written by Anders Thomas Jensen, is an elegant, somber scourge for th...

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    Cannes 2011: Jean-Paul Belmondo To Be Honored at Gala Screening of "Belmondo, The Career," Clips

    The Cannes Film Festival will honor Jean-Paul Belmondo on May 17 with a gala event celebrating the actor's career. French New Wave star Belmondo worked with directors Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray, Jean-Pierre Melville, François Truffaut, Claude Lelou...

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    Weekend Preview: Limitless, Paul, Lincoln Lawyer For Men, Indies Win Win, Cracks, Winter in Wartime

    This weekend, it's Matthew McConaughey and a car vs. Working Title's alien vs. Bradley Cooper on super-human drugs. According to Flixster Forecast: "The Lincoln Lawyer, the first adaptation of a Michael Connelly novel since Clint Eastwood’s Blood Work in 2002, surged in search activity leading into ...

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    Battle: Los Angeles, Jane Eyre, Red Riding Hood, Certified Copy, Mars Needs Moms, Black Death

    [Pictured: Red Riding Hood, Battle: Los Angeles, Jane Eyre]There is something for everyone this weekend. If you are somehow still in the mood for mass destruction, despite the tragedy that has befallen Japan, check out Battle: Los Angeles. More interested in classic love stories? Jane Eyre is Sin Nombre director Cary Fukunaga's smart retelling of Charlotte Bronte's gothic novel; Abbas Kiarostami's Certified Copy offers a complex investigation of originality, value and love ripe for post-screening debate. Red Riding Hood and Mars Needs Moms should keep younger audiences entertained for a few hours. Indies Black Death and Kill the Irishman prov...

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    Cannes Film Festival's Cinefondation Selects 15 Projects from 15 Countries for L'Atelier 2011

    L’Atelier, created by the Cannes Film Festival in 2005, recognizes and encourages emerging filmmakers. This year, L'Atelier has selected 15 projects from 15 countries which show artistic quality and originality, listed below. Their directors will participate in the next Cannes Festival, from May 13-...

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    Fandor Streams Indie Video: Sundance Meets Netflix

    Finally, the promise of streaming movies has become a practical reality, from Amazon to Netflix. But as multiple indie sites come and go (from Jaman and Mubi to Spout), on the eve of SXSW, a new indie site launches Wednesday, Fandor, that promises a better subscription indie streaming service via it...

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    Rango, Adjustment Bureau, Beastly, Take Me Home Tonight, I Saw the Devil: Blockbuster Weekend?

    2011 is due for its first blockbuster weekend. From Johnny Depp's animated Rango and Matt Damon and Emily Blunt's The Adjustment Bureau to teen flick Beastly, 80s throwback Take Me Home Tonight and Korean horror film I Saw the Devil, all the demographic bases are covered. We recommend Damon and Blun...

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    Potiche Early Reviews: Delicious French Feminist Comedy

    A fest favorite at Venice, François Ozon's feminist comedy Potiche (New York and LA, March 24, followed by a national release), stars a comedic Catherine Deneuve as a 70s trophy wife who takes over her husband’s umbrella factory while he is away and loves it so much that she tries to take it back fr...

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    I Saw the Devil Early Reviews, Kim Jee-woon and Lee Byung-hun Interview: Vengeance is Mine

    Korean director Kim Jee-woon is the real deal. He's a smart visually canny director with a sharp sense of humor who adeptly plays with genres, from his sixth film, the wacky Oriental western hit The Good, The Bad, and the Weird to the serial killer thriller I Saw the Devil, which also features Good ...

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    Oscar-Winner Susanne Bier to Shoot All You Need is Love

    Susanne Bier has picked her follow-up to the Oscar-winning In a Better World. She will shoot comedy All You Need Is Love with a Danish cast on the Amalfi coast in Italy in May, she told Italian newspaper La Repubblica: "It's a tender story with a much lighter atmosphere than my previous works: enoug...

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