The Naz in Artesia on Saturday night was packed with a crowd unlike any you'd see at your local multiplex on a standard opening weekend. Entire families of every age and both sexes--from ancient crones to young moms rocking infants in baby carriages in the aisles--turned out en masse to see Love Aaj...
Read More »The recession is hitting the movie studios in the pocket books; they are trimming their budgets going forward, according to this Reuters report.
Read More »Emma Thompson has won Oscars for both acting (Howard's End) and writing (Sense and Sensibility). And she is coming to accept how satisfying both can be. "I always thought acting was my compulsion," she says," but that writing was a different form of creativity because it is so back to the knuckle. A...
Read More »Speaking of escapist musicals, 1000 folks crammed into the Academy Theater on Friday night to escape the financial crisis and fall happily into the giddy world of the 1958 Arthur Freed/Vincente Minnelli musical Gigi, which swept all nine of its Oscar nominations. It's the film's Golden anniversary, ...
Read More »"We're in the money," sang Ginger Rogers in the escapist musical Gold Diggers of 1933. Luxurious Busby Berkeley musical comedies were big hits during the Depression.
Read More »As a fan of movie musicals, Meryl Streep and the hunky stars playing her trio of ex-lovers, Pierce Brosnan, Colin Firth and Stellan Skarsgard, I was eagerly looking forward to Mamma Mia! The Movie.
Read More »As a fan of movie musicals, Meryl Streep and the hunky stars playing her trio of ex-lovers, Pierce Brosnan, Colin Firth and Stellan Skarsgard, I was eagerly looking forward to Mamma Mia! The Movie.
Read More »As far as I'm concerned, the 1938 Pygmalion starring Wendy Hiller and Leslie Howard is far better than the terrible 1964 My Fair Lady movie adaptation of the Lerner and Loewe Broadway smash musical. The movie got by on Rex Harrison and the great music, barely. It was one of those cases where Hollywo...
Read More »While Martin Scorsese's Rolling Stone concert doc Shine a Light grabbed some flat reviews out of Berlin (here's ">Variety), I was delighted with it when I saw it Tuesday night. That's partly because Scorsese gives camera operating duties to 10 top cinematographers (Robert Richardson! Robert Elswit! ...
Read More »Sweeney Todd opened to excellent reviews (87% fresh on Rottentomatoes.com) and strong initial numbers on Friday, but the movie dropped an estimated 28 % (actually 25%) between Friday and Saturday. (Here's Sunday's Variety weekend boxoffice report.) This indicates that many viewers were lured by Paramount's mainstream horror-driven ad campaign, which did not sell the film as a Stephen Sondheim musical, and walked away disappointed. (The company also seeded the internet with clips showing the musical numbers.) Selling a unique movie like this, where there is no tried-and-true pattern to follow, is admittedly tricky. So Paramount made the call ...
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