The tragedy was in plain sight, but nobody thought it would hit this hard. As word spread today that Warner Bros. planned to close its specialty divisions Picturehouse and Warner Independent Pictures, shifting all projects currently in development to the larger studio and its recently absorbed subdivision New Line, a mournful tone took hold of the independent film industry. "It is a sad day when any film company, large or small, bites the dust," said President of THINKfilm Mark Urman. "One had heard and one had even considered that this was a possible scenario. It's still surprising when you see it in print."

As a documentarian, Nick Broomfield has dissected American pop culture with films like "Biggie & Tupac" and "Kurt & Courtney." With his more recent forays into narrative feature filmmaking, he has broadened his scope to include global issues. "Ghosts" explored the dark world of Chinese migrant workers in the UK, and his latest work, "Battle for Haditha," which opened at Film Forum earlier this week, recreates the infamous 2005 incident where U.S. marines murdered two dozen Iraqi civilians in a small village, driven by rage after encountering a roadside bomb. An attempt by the military to cover up the role of the American soldiers in the slaughter didn't last long. Media scrutiny led to an internal investigation, and the events have now been thoroughly recorded in various reports.

The Tribeca Film Festival turned a spotlight on the pending launch of Pangea Day last week, which can probably be best described as the first "world-wide film festival." For four hours on May 10, twenty-four films "made by the world for the world" will be broadcast live around the globe via the Internet and at organized events around the globe. In a discussion ahead of the event, launching this Saturday, the movers and shakers behind Pangea Day discussed the beginning of a global film experiment.

"Last year we celebrated our past, but tonight we begin our future," commented San Francisco Film Society Executive Director Graham Leggat in his opening night remarks of the 51st San Francisco International Film Festival. Leggat was referring to the Film Society's plans to expand its identity into a more far-reaching and consistently present local force in terms of education outreach and year-round exhibition. But the promises, and more pointedly, the potential perils of what lies ahead in the larger scheme of things, seemed to be on many filmmakers' minds as well.

Rainbow Media announced today a plan to purchase the Sundance Channel for $496 million. Confirming reports that the network was seeking a buyer and Rainbow Media was the lead contender, the deal finds Rainbow Media Holdings, LLC, a programming subsidiary of Cablevision Systems Corporation, buying the channel from its current owners NBC Universal, CBS, Showtime Networks and Robert Redford. The Sundance founder, meanwhile, will continue his role as the network's creative director, in addition to recieving just under $50 million from the deal, with the rest of the money divided up between the other owners.

The world premiere of Peter Cattaneo's "The Rocker," starring Rainn Wilson as a failed drunmmer who joins his nephew's high school band, will open the 10th annual CineVegas Film Festival, taking place in Las Vegas June 12 - 21. Among this year's debuts are seven world premieres the festival has packaged in its "Jackpot Premieres" section (listed below) in addition to the festival's documentary section (including three world debuts), a sidebar on Mexican films and directors as well as high profile work that have been making the festival rounds and more. Closing the festival is Sean McGinly's "The Great Buck Howard," starring John Malkovich, Colin Hanks, Emily Blunt and Tom Hanks.

[An indieWIRE review from Reverse Shot.]

"What do you wanna know?" A young Marine casually utters this question at the outset of "Battle for Haditha," and it's a fitting epigraph to Nick Broomfield's blistering, ambitious film. The query prefaces the PFC's offhand account of his service and the conditions of his barracks in Haditha, Iraq, but it could easily be Broomfield's own inquiry to his audience: In a singularly brutal and cloudy episode of the war, a group of Marines is attacked by insurgents and retaliates by unleashing their notion of justice on a small residential enclave, killing some twenty-four people. What do you want to know about these events, and what means do you have to figure them out?

[An indieWIRE review from Reverse Shot.]

Playwright John Guare must have had Indian director Tarsem Singh (or as he's often simply known, Tarsem) in mind when he wrote about the increasing exteriorization of the term "imaginative": "Why has 'imagination' become a synonym for style?" Singh makes films that inspire a bevy of similarly misused adjectives: "sumptuous," "surreal," "eye-popping," "hallucinatory." He specializes in audacious compositions, shoots in exotic locales, fits his actors in unique costumes that appear simultaneously futuristic and old-fashioned, and in only two features, including the new and fifteen years in the making "The Fall," has shown a predilection for stories about, yes, "the power of the imagination."

Universal Pictures' "Wanted" by Timur Bekmambetov will open the 2008 Los Angeles Film Festival June 19 in Westwood, organizers announced Tuesday. Based upon Mark Millar's graphic novel series the film tells the story of one apathetic nobody's transformation into an unparalleled enforcer of justice. Closing the festival, which is organized by Film Independent, is writer/director Guillermo del Toro's "Hellboy II: The Golden Army" also from Universal on June 29. Sundance 2008 doc "Anvil! The Story of Anvil" will screen as the Centerpiece June 26 at the Ford Amphitheater in a program that will include live musical performances and "special guests." "I am proud of the festival's on-going growth within the community, and pleased that we continue to attract world-class filmmakers like Guillermo Del Toro and Timur Bekmambetov," said festival director Rich Raddon in a statement. "The Los Angeles Film Festival celebrates the best in filmmaking as well as discovering new voices from around the world."

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More at Variety's Festival Central

"Mister Lonely," filmmaker Harmony Korine's sweet-natured drama about two lovelorn celebrity impersonators, rocketed past all art-house releases with a debut, per-screen average of $16,769 at New York's IFC Center. "Son of Rambow," British filmmaker Garth Jennings' coming- of-age comedy for Paramount Vantage, also debuted in the iWBOT top five, which ranks films by per-screen average, with $53,778 in weekend box office from five runs in New York and Los Angeles. Rounding out the iWBOT Top Five, were "Redbelt," director David Mamet's fight drama for Sony Pictures Classics, "Viva," director Anna Biller's sexploitation drama for Vagrant Films Releasing and Samuel Goldwyn's "Roman de Gare," a thriller from French master Claude Lelouch.

The 2008 Tribeca Film Festival came to a close over the weekend in New York City and indieWIRE is wrapping up its coverage from the 12-day event. Our festival dispatches, interviews, critics notebooks amounted to twenty related articles on this year's festival, which took place April 23 - May 4 in addition to iPOP photos and buzz items. We invite you to check out iW's coverage from Tribeca.

Documentary director Arthur Dong has been working since the early 1980s, when one of his first shorts, "Sewing Woman," was nominated for an Academy Award. Since then, he has directed a series of docs on political and social issues, including 1994's Peabody Award winning "Coming Out Under Fire" and 1997's Sundance favorite "Licensed To Kill," which took a chilling look at the lives of people convicted of violent hate crimes against gay men (Dong himself was a victim of gay bashing in 1977). His latest work, "Hollywood Chinese," goes in a different but certainly not less imperative direction, examining the placement of Asian-Americans in Hollywood cinema. Premiering at last year's Toronto International Film Festival, the doc shines a light on decades of underwhelming representations. The film opens Friday, May 2 at New York's Quad Cinemas.

Well, you can't accuse David Mamet of slacking off. That "Redbelt," his new martial arts film, hits the screen May 2, while "November," a hilarious political broadside, plays to packed houses on Broadway highlights the man's amazing productivity. In the theatre, Mamet has created, of course, his own dramatic idiom, a tough-guy vernacular of fractured speech and pauses which masks male insecurity, while skewering venality and the decline of values. With his 1988 "House of Games" he annexed a second career directing films, often centered on con men and tricksters. The hyper-busy Mamet has also written numerous screenplays. Add to that essays, novels and non-fiction books, the TV series, "The Unit." Plus he's got a family and a life.

Ten years can either be a blip or an eternity depending on your perspective. The year 1997 saw President Bill Clinton inaugurated for his second term, James Cameron's "Titantic" was the top movie and a book about a young wizard named Harry Potter first hit shelves. It was before the Internet stock bust and "information superhighway" was still a promise. The world of documentary in the U.S. was one of foundation funding, public television broadcast and educational distribution with precious few docs breaking into any kind of commercial success. It was in that entrenched world that then-new filmmakers Katy Chevigny and Julia Pimsleur felt like they had little opportunity.

Adam Yauch: Friday, May 2, 6:30 p.m.

Before turning to film and directing--first with Awesome; I Shot That! and then with Gunnin' for That #1 Spot (now screening at the Tribeca Film Festival)--Adam Yauch also remains a founding member of the hip-hop trio Beastie Boys. He brings a unique perspective to filmmaking, which you'll discover as he discusses his latest project and fields questions from the audience.

ABC News Radio's Movie Critic David Blaustein will moderate the discussion.

Student Filmmaker Panel: Friday, May 2, 8:00 p.m.

You may not recognize their names now, but that's about to change. Meet some up-and-coming filmmakers whose movies are being screened at this year's Tribeca Film Festival.

Apple's Michael Wong will moderate the discussion.

Read the entire lineup here.

Swedish director Tomas Alfredson's "Let the Right One In" (Lat den ratte komma in), recently acquired by Magnolia Pictures' genre label Magnet, won the Founders Award for Best Narative Feature tonight at the Tribeca Film Festival's awards event held at the Target-Tribeca Filmmaker Lounge in downtown New York City. The prize includes $25,000 in cash and an art award entitled, "Maternal Nocture: Clearing Storm" created by Stephen Hannock. Director Gini Reticker's "Pray the Devil Back to Hell" won best documentary feature, also receiving $25,000 and a piece of art called "Liza Minnelli" by Timothy White.

It's hard to believe that it's only the Miami Gay and Lesbian Film Festival's 10th anniversary. In only a decade, it has established itself as the first major stop on the annual U.S. gay and lesbian festival circuit. Filmmakers, sponsors and audiences alike have jumped at the invitation to spend time amongst Miami's famed art deco facades, shirtless rollerbladers, and endless parade of girls pulling at their short skirts and falling over their heels. It's a distinctly Miami affair.

Harmony Korine: Thursday, May 1, 6:30 p.m.

Hear screenwriter, director, and producer Harmony Korine (Gummo, Julien Donkey-Boy) discuss Mister Lonely, his third feature film. Screening at the 2008 Tribeca Film Festival, Mister Lonely debuted at Cannes, and is scheduled for release by IFC Films on May 2, 2008.

Film Producer Scott Macaulay (Gummo, Julien Donkey-Boy, Raising Victor Vargas) will moderate the discussion.

Read the entire lineup here.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling directors who have films screening at the 2008 Tribeca Film Festival.

Carlos Carcas' "Old Man Bebo and Faramarz K-Rahber's "Donkey in Lahore" are both screening in the World Documentary Competition at the 2008 Tribeca Film Festival. "Bebo," a Spanish doc, follows the career of legendary musician Bebo Baldes, a key figure in the development of mambo. "Donkey," from Australia, details couple Brian and Amber, who are tested when Brian has to convert to Islam to marry Amber. Both directors talked to indieWIRE about their films and their expectations for Tribeca.

[An indieWIRE review from Reverse Shot.]

Though it's as sullen and damp-grey as its morose 15-year-old protagonist, Argentinean filmmaker Lucia Puenzo's directorial debut "XXY" doesn't really get inside the mind of young Alex as much as watch her with an awkward combination of fascination and empathy. It's both a success and a failing on the new filmmaker's part; her intention in making "XXY," to humanely depict a character who might in other films or literature be relegated to oddball supporting status, is undoubtedly noble. Yet by focusing almost exclusively on Alex's differences (she was born with both female and male genitalia), rather than offering other facets of her life for consideration, the film slightly shortchanges what could have been a beautifully full portrait of a teenager going through radical inner and outer turmoil.

Greg Mottola: Wednesday, April 30, 6:30 p.m.

The director of last year's smash hit Superbad, Greg Mottola (The Daytrippers, Undeclared, Arrested Development) has written and directed a new film, Adventureland, scheduled for release by Miramax later this year. Greg will discuss his latest comedy with audience members. indieWIRE Editor in Chief Eugene Hernandez will moderate the discussion.

Read the entire lineup here.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling directors who have films screening at the 2008 Tribeca Film Festival.

Ivan O'Mahoney and Laura Winter's "Baghdad High" follows the lives of ordinary Iraqis during the war. Screening in the World Documentary Competition at the 2008 Tribeca Film Festival, O'Mahoney and Winter gave four Iraqi high school seniors a digital camera to record a year in the lives. The result is a film that shows how remarkably similar these teenagers' lives are compared to those in the Western world. indieWIRE talked to both filmmakers about the film and their expectations for its North American Premiere at Tribeca.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling directors who have films screening at the 2008 Tribeca Film Festival.

Screening in the World Narrative Competition at the 2008 Tribeca Film Festival, director Delphine Kreuter makes her feature film debut with "57,000 Kilometers Between Us." Kreuter, a photographer and video artist, takes on the idea of connecting in today's world by following one dysfunctional family. Kreuter talked to indieWIRE about the film and her hopes for its North American premiere at Tribeca.

[An indieWIRE review from Reverse Shot.]

There's rarely a moment in "Son of Rambow" that isn't polished or primped for prime demographic impact; a whirlwind for those who get nostalgic for British school-chum pictures, Sylvester Stallone actioners, early Eighties camcorders, and breakdance-era outre outfits, Garth Jennings's ingratiating lark would seem to court snorts of recognition more than active engagement. Yet this backward-looking pint-sized "Ed Wood" often sails by on the charms of its formula - it's an appealingly rambunctious boy's adventure in the guise of a paean to the artistic process (not the other way around). Along with "Be Kind Rewind," Jennings's film may be on the crest of a wave of fondness for the days of videotape, although unlike Michel Gondry's film, which infantilized a community of urban dwellers by placing them in a cultural vacuum, "Rambow" uses the creation of taped home movies as a coming-of-age vessel. The children in "Rambow," set around 1983 or thereabouts, might as well be wielding digital cameras or pocket-sized cell-phone cams (and in fact, the film might have been less self-consciously precious had it been set in the present).

[EDITOR'S NOTE: Guy Maddin's "My Winnipeg" is screening at the 7th Tribeca Film Festival, currently underway. IFC First Take will release the film in theaters beginning in June in the U.S.]

"I was going in the direction that all indie directors go," said filmmaker Guy Maddin, reflecting on his career. "It was fun to do a U-turn and go in the opposite direction. Ironically, if I go to Hollywood, I'd be happier going this way. I'll get there on my own strengths, if I get there at all." Maddin, talking to a moderator Dennis Lim in front of a crowd that gathered at the Apple Store SoHo Sunday night (co-hosted with indieWIRE), is referring to the primitive nature of his recent films, most particularly "My Winnipeg," which is making its U.S. debut at the Tribeca Film Festival this week.

Much time has passed since Larry Clark discovered Harmony Korine skateboarding in Washington Square Park and hired him to write "Kids." In its wake, Korine exploded into the mainstream as a radical artist with a bad boy streak. His first two features, "Gummo" and the Dogme '95 entry "Julian Donkey-boy," divided critics and furthered his reputation as a fiercely independent figure. Just when his world seemed to be moving too fast, Korine left New York City for his native home in Nashville, got married and made a new movie to reflect his comparatively happier state of mind.

Tom Kalin: Tuesday, April 29, 6:30 p.m.
Screenwriter, director, and producer Tom Kalin (Swoon) comes to the Tribeca Film Festival to screen Savage Grace, which tells the story of the Barbara Daly Baekeland murder case. Starring Julianne Moore, Savage Grace is scheduled for release by IFC Films on May 30, 2008. During his Filmmaker Talk, Tom will discuss his latest film project and answer audience questions. indieWIRE Editor in Chief Eugene Hernandez will moderate the discussion.




Isabella Rossellini: Tuesday, April 29, 8:00 p.m.
Successful model and actress Isabella Rossellini (Blue Velvet, Big Night, Fearless) wrote My Dad Is 100 Years Old and makes her directorial debut in the experimental Green Porno, a series of short films she also conceived, wrote, and appears in. She produced Green Porno in association with the Sundance Channel. Comical but insightful studies of the sex lives of various creatures, Green Porno screens at this year's Tribeca Film Festival, and Isabella will discuss the series during her Filmmaker Talk.

US Weekly film critic Thelma Adams will moderate the discussion.

Read the entire lineup here.

With the Tribeca Film Festival underway at cross-town venues, "Up the Yangtze," the Zeitgeist Films documentary about China's Three Gorges Dam and its destructive impact, led all specialty films with a standout $15,851 in earnings at New York's IFC Center. Director Yung Chang's first feature-length documentary also became 2008's top non-fiction debut; out-performing Sony Pictures Classics' highly anticipated "Standard Operating Procedure," veteran filmmaker Errol Morris' documentary about the Abu Ghraib prisoner abuse scandal. Other new releases in the iWBOT top five, which ranks by per-screen average, included "Roman de Gare," French master filmmaker Claude Lelouch's thriller for Samuel Goldwyn Films; and ThinkFilm's "Then She Found Me," actress Helen Hunt's directing debut. Returning to the iWBOT for the third straight week was Overture Films' "The Visitor," featuring Richard Jenkins as a middle-aged professor whose life changes after helping an illegal immigrant. "Holly," a drama about child prostitution from Priority Films and Slowhand Cinema Releasing, took advantage of corporate sponsorship from business information provider LexisNexis and advance group sales to earn $15,687 at New York's Quad Cinema.

EDITOR'S NOTE: In the second of three critics notebooks, New York-based film critic Howard Feinstein takes a look at some of the documentary offerings at this year's Tribeca Film Festival. Feinstein, a former editor at the Village Voice and a current programmer at the Sarajevo Film Festival, also offers up some opinion on presenting docs as vehicles for discussion vs. their worthiness as art.

[An indieWIRE review from Reverse Shot.]

Nostalgic, deeply felt, and refreshingly astute, "Fugitive Pieces" is something of a rare bird these days -- a big-budget, transnational historical drama that actually justifies its scope and subject matter with more than visual opulence. On the surface, it looks like the kind of mainstream art-house fare that marries historical romance with a superficial exoticism; with its meandering sense of space and time and its rich sensual engagement, Anne Michaels's novel has drawn comparisons to Ondaatje's "The English Patient," and similarly Podeswa's adaptation will draw comparisons to Minghella's film. But what might have been an overly sentimental romance for uptown crowds is saved by its clear intelligence and its readiness to tackle the history and representation of the Holocaust in ways that are not at all facile.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling directors who have films screening at the 2008 Tribeca Film Festival.

Screening in the World Narrative Competition at the 2008 Tribeca Film Festival, John Mottern makes his feature directorial debut with "Trucker." The film follows Diane Ford (Michelle Monaghan), a truck driver with a tendency for bar benders and one-night stands. That changes when her estranged 11-year old son shows up at her door when her ex-husband (Benjamin Bratt) is hospitalized. Mottern, who previously wrote and directed documentaries for BBC and Discovery, talked to indieWIRE about the film and his expectations for its world premiere at Tribeca.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling directors who have films screening at the 2008 Tribeca Film Festival.

Screening in the Discovery section of the 2008 Tribeca Film Festival, short film director Brin Hill makes his feature debut with "Ball Don't Lie." "Ball" tells the tale of Sticky, a young streetballer who with a lot of talent for the sport but also a lot of baggage from a childhood tragedy. Starring newcomers Grayson Boucher and Kim Hidaglo, as well as Chris "Ludacris" Bridges, Nick Cannon and Rosanna Arquette, "Ball" is based on the popular novel of the same name by Matt de la Pena, who co-wrote the screenplay with Hill. indieWIRE talked to Hill about the film and his expectations for its world premiere at Tribeca.

Morgan Spurlock: Monday, April 28, 6:30 p.m.
With Where in the World Is Osama Bin Laden?, screenwriter and documentary filmmaker Morgan Spurlock (Super Size Me) seeks to do what the CIA, FBI, and U.S. military have not been able to: find Osama. Join Morgan as he discusses the film (being released this month by the Weinstein Company).

The event will be moderated by indieWIRE Editor in Chief Eugene Hernandez.

Read the entire lineup here.

Election years are typically strong for political documentaries. Capitalizing on citizens' hunger for issues that the mainstream media is either ignoring or mishandling, audiences flock to theaters to get a deeper sense of what's going on in the world. At least that was the thinking in 2004, with the blockbuster sales of "Fahrenheit 9/11" and also given the multi-million-dollar grosses of "The Fog of War," "Control Room," "Super Size Me," and "The Corporation." Even "Going Upriver: The Long War of John Kerry" wasn't swift-boated in theaters, earning more than $614,000.

Recalling a night at former New York City club Motherfucker back in 2002 where he watched early footage of "Squeezebox!," Tribeca Film Festival programming head David Kwok saluted a group of local filmmakers (and their fans) for their perserverance and patience in bringing the documentary to the big screen. At the time, the group -- including directors Steve Saporito & Zach Schaffer and producer Lyle Derek -- expected to finish their film by the end of 2002. Yet, even back then they warned that it might take longer than that, "This is a personal project for all of us," Derek told indieWIRE six years go, "We want to really just take our time, this is a labor of love."