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    Why Michel Gondry's 'Mood Indigo' is Better Than It Used to Be

    The new version of Gondry's Boris Vian adaptation is more than half an hour shorter.

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    How American Indies Can Find Audiences in France

    The Champs-Élysées Film Festival provides an opportunity for American independent film to find a commercial life in France.

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    Exclusive Cahiers du Cinéma Reviews in English: Man and Woman Bond Over Horse in 'Sport de filles'

    On Tuesday, June 18, FIAF screens former Patricia Mazuy's "Sport de filles." Isabelle Zribi, a novelist and occasional contributor to Cahiers du Cinéma, wrote this review.

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    Exclusive Cahiers du Cinéma Reviews In English: 'The Rendez-Vous of Déjà Vu' is Crawling with Jokes

    Indiewire is pleased to be partnering with FIAF and Cahiers du Cinéma to present reviews of films in the series originally published in the magazine and available here in English for the first time.

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    Exclusive Cahiers du Cinéma Reviews In English: How Jacques Rozier's 'Maine Ocean' Reflects the Evolution of Language

    Indiewire pleased to be partnering with FIAF and Cahiers du Cinéma to present reviews of films in the series originally published in the magazine and available here in English for the first time.

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    Cannes Review: Jean-Luc Godard's Baffling, Hilarious 'Goodbye to Language 3D' Will Mess With Your Eyes — And Your Head

    Jean Luc-Godard's 3-D missive against contemporary society is an enjoyable provocation even if it doesn't all add up. But what Godard movie truly does?

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    Exclusive Cahiers du Cinéma Reviews In English: A Classic Take Jacques Becker And Serge Bozon On 'Flammes'

    Indiewire's latest English language translations of Cahiers du Cinéma reviews include a piece from the early fifties and a more recent essay by filmmaker Serge Bozon.

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    Review: How 'The Blue Room' Proves That Mathieu Amalric Is a True Actor-Director

    The short but precision-tooled feature suggests that maybe it's time to finally start calling Amalric an actor-director.

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    Cannes Review: An Aging Stripper Finds Love In Un Certain Regard Opener 'Party Girl'

    Amateur performer Angélique Litzenburger stars as a fictionalized version of herself, playing a 60-year-old bar hostess and cabaret performer stuck in the same cycle of recklessness that has weighed down on her for the duration of her life.

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    Cannes Review: Céline Sciamma's 'Girlhood' Is One of the Best Coming of Age Movies In Years

    The director's third feature confirms mastery over the coming-of-age drama, a genre too often reduced to its simplest ingredients.

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