A Star Is Born is a 1976 rock music film telling the story of a young woman, played by Barbra Streisand who enters show business, and meets and falls in love with an established male star, played by Kris Kristofferson, only to find her career ascending while his goes into decline.
A hyper-repressed and schlubby accountant (Jonas Chernick) strikes a deal with a worldly but disorganized stripper (Emily Hampshire): he’ll help her with her crushing debt if she helps him become a better lover. Sharp direction by the versatile Sean Garrity and a very funny script by Chernick ensure for an uproarious — and surprisingly educational — sex comedy. (TIFF)
Yael Hersonski’s powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these “everyday” scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.
A tough New York cop wages a private battle against the chaos of the Triads in Chinatown.
An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.
Sarah finds herself caught in an intense postbreakup rebound with new infatuation Jonathan after tragically breaking the heart of rocker Kevin. Always one to give Sarah life advice is her sister Beth, who is diligently planning her upcoming wedding to apprehensive fiancé Andrew. Both sisters fumble through the bumpy emotional landscape of modern-day relationships, forced to relearn how to love and be loved.
Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on…