May 6, 2008
REVIEW | Imagine That: Tarsem Singh's "The Fall"
by Michael Joshua Rowin (May 6, 2008)
[An indieWIRE review from
Reverse Shot.]
Playwright
John Guare must have had Indian director
Tarsem Singh (or as he's often simply known, Tarsem) in mind when he wrote about the increasing exteriorization of the term "imaginative": "Why has 'imagination' become a synonym for style?" Singh makes films that inspire a bevy of similarly misused adjectives: "sumptuous," "surreal," "eye-popping," "hallucinatory." He specializes in audacious compositions, shoots in exotic locales, fits his actors in unique costumes that appear simultaneously futuristic and old-fashioned, and in only two features, including the new and fifteen years in the making "
The Fall," has shown a predilection for stories about, yes, "the power of the imagination."
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April 30, 2008
REVIEW | Changes: Lucia Puenzo's "XXY"
by Michael Koresky (April 30, 2008)
[An indieWIRE review from
Reverse Shot.]
Though it's as sullen and damp-grey as its morose 15-year-old protagonist, Argentinean filmmaker
Lucia Puenzo's directorial debut "
XXY" doesn't really get inside the mind of young Alex as much as watch her with an awkward combination of fascination and empathy. It's both a success and a failing on the new filmmaker's part; her intention in making "XXY," to humanely depict a character who might in other films or literature be relegated to oddball supporting status, is undoubtedly noble. Yet by focusing almost exclusively on Alex's differences (she was born with both female and male genitalia), rather than offering other facets of her life for consideration, the film slightly shortchanges what could have been a beautifully full portrait of a teenager going through radical inner and outer turmoil.
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April 16, 2008
REVIEW | I'll Be Seeing You: Vadim Perelman's "The Life Before Her Eyes"
by Leo Goldsmith (April 16, 2008)
[An indieWIRE review from
Reverse Shot.]
Diana and Maureen are in the girls' room, gossiping about boys and bio between classes, when shots ring out. It's the sound of an assault rifle wielded by Michael Patrick, the school nerd, on a violent, Columbine-like rampage. How do we know? "Yesterday in trig he told me he was going to bring a gun to school!" Diana explains, just as Michael Patrick bursts through the door. The two girls are cornered, and the lanky gunman, taking some time to reload a weapon that's bigger than he is, gives the girls a choice: Which one should he kill?
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April 10, 2008
REVIEW | Growth Factor: Sue Williams's "Young & Restless in China"
by Michael Joshua Rowin (April 10, 2008)
[An indieWIRE review from
Reverse Shot
With the controversial Beijing Olympics just around the corner, the eyes of the world continue to attentively watch the rapid and profound changes taking place in the social, cultural, and environmental life of China, currently staking a claim as the global market's most powerful economy. "
Young & Restless in China," a documentary in the vein of the ongoing "Up" series, examines how these radical transformations are affecting the latest Chinese citizens to enter the workforce, a dislocated and confused generation of young people awkwardly caught in the move from, as director
Sue Williams puts forth, "idealism to materialism." It's a shift directly influenced by the political and economic reforms that have turned strict, repressive communism into destabilizing, still repressive quasi-capitalism, and Williams gets close to a wide range of subjects who illumine the challenges now facing this generation and the future of China.
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April 9, 2008
REVIEW | Weird Science: Shi-Zheng Chen's "Dark Matter"
by Leo Goldsmith (April 9, 2008)
An indieWIRE review from
Reverse Shot.]
"
Dark Matter" begins with a shot of
Meryl Streep practicing tai chi, and therein lies a precise encapsulation of the film's attitude toward the intersection of Eastern and Western cultures. In its 90-minute duration, the film grapples with a number of weighty themes: the origins of the universe, the importing of Chinese scholarly talent by American universities, even the deep causes of incidents of campus violence, like those at Columbine and Virginia Tech. But ultimately, the film's approach to these issues is as suspect as an American movie star going through the motions, however gracefully, of the thirteen postures.
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April 8, 2008
REVIEW | Compassion Play: Tom McCarthy's "The Visitor"
by Chris Wisniewski (April 8, 2008)
[An indieWIRE review from
Reverse Shot.]
Tom McCarthy's surprise indie hit "
The Station Agent" was something of a minor miracle. A touching, big-hearted character study propelled by three vibrant performances, "The Station Agent" distinguished itself with its sensitivity and grace, qualities sorely lacking in an independent film culture that too often prizes the clever, the glib, the cute, and the smug. With his sophomore effort as a writer-director, "
The Visitor," McCarthy once again proves himself to be refreshingly out-of-step with the indie mainstream, taking an improbable set-up and patiently observing as his damaged but likeable characters work their way through it. Despite its contrivances, the film is a work of quiet, restrained empathy.
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April 6, 2008
REVIEW | Old Joy: Stephen Walker's "Young @ Heart"
by Nick Pinkerton (April 6, 2008)
[An indieWIRE review from
Reverse Shot.]
Can rock music and colostomy bags mix? (Insert your own hilarious "
Shine a Light" joke here.) The subject of
Stephen Walker's new documentary is Farmingham, Massachusetts' "
Young @ Heart" chorus, a 24-member group with several international tours under its belt. The singers' median age, we're informed, is 80.
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March 27, 2008
REVIEW | Tuckered Out: David Schwimmer's "Run Fatboy Run"
by Kristi Mitsuda (March 26, 2008)
[An indieWIRE review from
Reverse Shot.]
Since the "chick flick" moniker continues to stick, it's only fair that male-targeted incarnations of the romantic comedy receive an equally derogatory nickname now that they're all the rage. I nominate "dick flicks" over
David Denby's more diplomatic "slacker striver romance" designation -- certainly the subgenre's preoccupation with penis jokes earns the label. As outlined by the New Yorker critic in an article last year heralding the crop's crystallization with "
Knocked Up," the flicks typically focus on an unmotivated and immature man as he kicks and screams his way towards reformation for the love of a good (and hot) woman. "
Run Fatboy Run" fits so uncomplicatedly into this mold, you can imagine how paint-by-numbers it plays.
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March 26, 2008
DOC COLUMN | Music Documentaries Take Center Stage
by Agnes Varnum (March 26, 2008)
When the movie started to roll, the image was only a quarter the size of the screen. I'm wondering if I'm in the right place -- the IMAX Theater at the Bob Bullock Texas State History Museum in Austin -- just as black and white images of
Martin Scorsese begin to flash across the screen. He directed the movie I'm about to watch so I'm convinced I'm in the right spot, but won't it cover whole screen? Why show it at IMAX? I'm not sure of the exact moment, but suddenly the movie is filling the screen and like a roller coaster ride, we are at the top just waiting for the big drop that is
The Rolling Stones as they take the stage of the Beacon Theater in New York City for a legendary performance.
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March 24, 2008
REVIEW | Wistful Thinking: Morgan Neville's "The Cool School"
by Michael Joshua Rowin (March 24, 2008)
[An indieWIRE review from
Reverse Shot.]
"
The Cool School" is one of a subset of documentary biographies that might best be called "Scenes of Yesteryear." Like the recent "
Weather Underground," "
Commune," and "
American Hardcore"--whose respective subjects include radical terrorists, hippie collectives, and indigenous, anticommercial punk rock--"The Cool School" weaves testimony from participants of a faded fringe movement with footage from its heyday to take stock of the legacy of the marginal subculture in question. These are nostalgic, sometimes commemorative films employing a similar functional style to deliver content as practically as possible, and they're so close to each other in quality that a misfire ("American Hardcore"'s harried mess) usually isn't all that far from a triumph ("Weather Underground"'s precise portrait of revolutionary fanaticism).
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March 21, 2008
REVIEW | Family Feud: Jeff Nichols's 'Shotgun Stories"
by Leo Goldsmith (March 19, 2008)
[An indieWIRE review from
Reverse Shot.]
The presence of
David Gordon Green's name in "
Shotgun Stories"' billing block is probably both a blessing and a curse for the reception of
Jeff Nichols's feature film debut. On the one hand, it broadcasts what sort of film this is -- an earnest character study with a touch of that neo-Southern Gothic quirkiness that Green has made his own. But on the other hand, it will probably authorize some unforgiving comparisons to a style of filmmaking that -- judging by the maddeningly uneven "
Snow Angels" -- even Green himself seems to have exhausted. With a trailer for Green's
Seth Rogen-
James Franco stoner comedy "
Pineapple Express" and head-scratching rumors of a "
Suspiria" remake circling the internet, it's becoming clear that even Green is anxious to move on from the type of filmmaking he patented, even as a cottage industry of similar films flourishes.
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March 20, 2008
REVIEW | Gross National Product: Olivier Assayas's "Boarding Gate"
by Michael Koresky (March 19, 2008)
[An indieWIRE review from
Reverse Shot.]
Olivier Assayas's "
Boarding Gate" arrives on these shores like a battered shipment of cheap goods. True, it's only sat moldering for ten months in its film canister since its Cannes premiere -- a relatively short period in these hazy days of distribution -- but it shows a distinct lack of freshness all the same. Not that that's necessarily a bad thing: there's a tantalizing whiff of mediocrity to "Boarding Gate," and it's consistently set off by high levels of self-awareness and undeniable craft. Assayas's later career has been a heady stew of class and crass, yet not even in his terrific, audience-baiting pseudo-technothriller "demonlover," with its corporate-girls-gone-wild for the smart set, did he flirt as heavily with exploitation as he does here.
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March 19, 2008
SHORTS COLUMN | "C. Beck," "Bullet Proof," and "L.A. Noir" Take Top Prizes at Independent Lens Online Shorts Fest
by Kim Adelman (March 19, 2008)
Independent Lens has finished tabulating the viewer votes for its second annual "festival at your fingertips." While the curators of Independent Lens and the
Online Shorts Festival jury both decided to honor short documentaries with their grand prizes, the audience award went to a narrative film, "
L.A. Noir,"
Conrad Jackson's mystery starring
Jennifer Lopez's ex-husband,
Cris Judd. The shortsfest distributed a total of thirteen thousand dollars in cash prizes to an eclectic collection of eleven independent documentary, live action, and animated shorts, with a $2,500 grand prize going to
Deb Wallwork &
Mike Hazard's portrait of a Minnesota regional artist, "C. Beck," and a $1,500 grand jury prize going to
May Lin Au Yong's look at a California neighborhood under siege, "
Bullet Proof Vest."
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March 16, 2008
REVIEW | Sweet Nothings: Christophe Honore's "Love Songs"
by Michael Koresky (March 15, 2008)
[An indieWIRE review from
Reverse Shot.]
As in last year's "
Dans Paris," 37-year-old filmmaker
Christophe Honore ventures back to that lost Eden known as the French New Wave, this time to punch up a featherweight tale of young love and loss with high-concept tomfoolery. And though "
Love Songs" (or, if we could please use its original, more melodic title, "
Les Chansons d'amour") better evokes that era's carefree cinematic spirit, it's similarly bound by dictates and referents, twice-removed and over-rehearsed. Hence "Love Songs" is not merely a musical -- in which passionate, lost twentysomethings wend their way through difficult times by breaking into pop tunes with puppy-love ingenuousness -- but also a riff on musicals, performance, play-acting, etc. Part of this is just by postmodern design, yet often the result is simultaneously ingratiating and distancing. Those looking for the exhilarating crescendos of "
The Umbrellas of Cherbourg" (the film's declared inspiration: Honore borrows
Jacques Demy's structure, separating his narrative into the same three distinct chapters -- Departure, Absence, and Return) might be put off by the film's less dramatic swooniness; "Love Songs" is the brief dalliance to "Cherbourg"'s intense affair, perhaps too shy to fully take the plunge, but nimble enough to give off a flirtatious buzz.
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March 5, 2008
indieWIRE PRODUCTION REPORT | "Derivative," "Baby On Board," "House of the Devil," "Slamin' Salmon" and Prison Rodeo Doc
by Jason Guerrasio (March 5, 2008)
[EDITOR'S NOTE: indieWIRE's monthly production report looks at independent films in various stages of production. If you'd like to tell us about a film in production for future columns, please
contact us.]
In March's edition of indieWIRE's production column, Jason Guerrasio profiles five new films in various stages of production. This month's group includes Ryan Pierson's "At Best Derivative," Brian Herzlinger's "Baby On Board," Ti West's "The House of the Devil," Kevin Heffernan's ""The Slamin' Salmon" and Bradley Beesley's "Untitled Prison Rodeo Documentary."
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REVIEW | Like, Actually: Bharat Nalluri's "Miss Pettigrew Lives for a Day"
by Nick Pinkerton (March 5, 2008)
[An indieWIRE review from
Reverse Shot.]
A middle-aged, getting-your-groove-back Cinderella story: Miss Pettigrew, an unsuccessful domestic used to taking her meals in breadlines, maneuvers a job with a flighty American "actress" abroad, Delysia Lafosse. Just like that, prim Pettigrew is off the streets and hovering around the nexus of the London smart set, where her self-possession and propriety are suddenly rare and valuable commodities. It doesn't take long for a reasonably handsome suitor to notice.
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March 4, 2008
REVIEW | Aural Examination: Gus Van Sant's "Paranoid Park"
by Michael Joshua Rowin (March 4, 2008)
[An indieWIRE review from
Reverse Shot.]
Gus Van Sant's so-called "Death Trilogy" may have culminated two years ago with crowning achievement "
Last Days," but to judge by his latest film, "
Paranoid Park," the entropic weight of mortality is still very much at the center of the filmmaker's concerns. Moving beyond the Death Trilogy's
Bela Tarr-grafted stories of self- and other-inflicted violence, Van Sant now tinkers with his trademark stylistic oddities, nonlinear narrative devices, and thematic ideas to fashion a heterogeneous, experimental grab-bag that even for him and his death obsession becomes seemingly familiar and evocatively strange.
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February 28, 2008
REVIEW | Son of God: Paulo Morelli's "City of Men"
by Nick Pinkerton (February 28, 2008)
[An indieWIRE review from
Reverse Shot.]
2000's art-house megahit "
City of God" has officially attained franchise status -- after spawning a made-for-television series, "
City of Men," it's now passing a licensed spin-off of the same title along to theaters. Director
Paulo Morelli, who had a hand in the TV show, looks at the favelas of Rio de Janeiro through a scrim of hissing high-contrast grain, the camera swaying with heatstroke wooziness over swaggering neighborhood kingpins.
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February 25, 2008
REVIEW | Street Poetry: Ramin Bahrani's "Chop Shop"
by Michael Joshua Rowin (February 25, 2008)
[An indieWIRE review from
Reverse Shot.]
Scraping for a living in the shadow of that holy of professional baseball holies, Shea Stadium, twelve year-old Alejandro (
Alejandro Polanco) does everything an impoverished, parentless, out-of-school 12-year-old can do to survive in the lowest depths of one of New York City's strangest and direst areas, Willets Point, Queens. He calls his boss Rob's (
Rob Sowulski) auto body shop both his workplace and home, hustles pornographic DVDs, robs U.S. Open patrons, steals hub caps from Shea's parking lot for extra cash, and saves up precious money to buy a used mobile-food van along with his 16-year-old prostitute sister, Isamar (
Isamar Gonzales), in order to, as they dream, start their own business.
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February 20, 2008
SHORTS COLUMN | Oscar-Nominated Short Film Directors Bask in the Spotlight
by Kim Adelman (February 20, 2008)
On Tuesday, February 19, 2008, at the Samuel Goldwyn Theater in Beverly Hills,
Curtis Hanson hosted the Academy's pre-ceremony screening of the nominated live action and animated short films. With directors and producers of eight of the ten films in attendance, the sold-out event was a rare opportunity for the filmmakers to see each other's work and for the audience to hear what inspired these Oscar-caliber stories. The one-time-only gathering also drove home the point that none of this year's honorees are from the United States, and only one producer and one director have ever been nominated before. "We are seeing the future," announced Hanson in his opening remarks to the program, which lasted over four hours, including two panel discussions and an intermission.
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REVIEW | Aftermath: Olivier Meyrou's "Beyond Hatred"
June 10, 2007
REVIEW | Domestic Violence: Andrew Currie's "Fido"
June 7, 2007
REVIEW | Children of the Revolution: Corneliu Porumboiu's "12:08 East of Bucharest"
June 7, 2007
PRODUCTION REPORT: "Baggage", "Broken Windows", "Elise", "Head Case", "Within The Grid"
June 6, 2007
REVIEW | Grand Dame: Olivier Dahan's "La Vie en rose"
June 5, 2007
REVIEW | Mortal Coil: Adrian Shergold's "Pierrepoint: The Last Hangman"
May 31, 2007
REVIEW | Story Telling: Rolf De Heer's "Ten Canoes"
May 30, 2007
DOC COLUMN | Flying: Confessions of International Co-Production
May 26, 2007
CANNES '07 CRITICS NOTEBOOK | Mining for Genre Gems in Cannes
May 24, 2007
CANNES '07 CRITICS NOTEBOOK | "Secret Sunshine" Lights Up Competition; Akin and Tarr Stumble, and Korine's Nuns Fly High
May 23, 2007
CANNES '07 CRITICS NOTEBOOK | Camera D'Or Candidates Emerge
May 22, 2007
CANNES '07 CRITICS NOTEBOOK | Competition Heats Up With Seidl, Van Sant, and Schnabel
May 21, 2007
CANNES '07 CRITICS NOTEBOOK | Complicated Lovers and Genders in Cannes Sidebars
May 20, 2007
CANNES '07 CRITICS NOTEBOOK | To Each His Own: Cannes Competition Offers Romanian Resonance; while "SiCKO" Makes Emotional Appeal
May 14, 2007
REVIEW | Simple Men: Bruno Dumont's "Flanders"
May 11, 2007
REVIEW | Sweet Sounds: John Carney's "Once"
May 7, 2007
REVIEW | Remote Control: Julia Loktev's "Day Night Day Night"
May 3, 2007
REVIEW | Picking Up the Pieces: "Paris, je t'aime"
May 2, 2007
TRIBECA '07 | Critics Notebook 4: Reel Politic
May 2, 2007
REVIEW | In Loving Memory: Sarah Polley's "Away from Her"
May 1, 2007
PRODUCTION REPORT: "Antigravity", "Midnight Meat Train", "Orgies and the Meaning of Life", "Sunshine Cleaning", "Untitled Patrick Creadon Federal Debt Documentary"
April 30, 2007
TRIBECA '07 | Critics Notebook 3: The Evolution and Whither American Indies
April 25, 2007
TRIBECA '07 | Critics Notebook 2: A Crossroads of Marriage and Nature
April 24, 2007
TRIBECA '07 | Critics Notebook 1: Breaking Down a Carnival of Art and Politics
April 18, 2007
REVIEW | Light It Up: Francis Veber's "The Valet"
April 14, 2007
REVIEW | Lovely and Amazing: Apichatpong Weerasethakul's "Syndromes and a Century"
April 11, 2007
WORLD CINEMA | When the Party's Over: "Red Road" Launches Advance Party, But Other Films Stalled
April 10, 2007
REVIEW | Stranger in Paradise: Ritu Sarin and Tenzing Sonam's "Dreaming Lhasa"
April 8, 2007
REVIEW | Flame Out: Mary Jordan's "Jack Smith and the Destruction of Atlantis"
April 4, 2007
REVIEW | Crass Course: Paul Verhoeven's "Black Book"
April 2, 2007
REVIEW | Bright Young Thing: Amnon Buchbinder's "Whole New Thing"
March 29, 2007
REVIEW | Homecoming: Charles Burnett's "Killer of Sheep"
March 21, 2007
SHORTS | "The Animation Show" Back for Thirds
March 19, 2007
REVIEW | Off-key: Denis Dercourt's "The Page Turner"
March 17, 2007
REVIEW | This Sporting Life: Jafar Panahi's "Offside"
March 14, 2007
REVIEW | Blood Brothers: "The Wind that Shakes the Barley"
March 7, 2007
PRODUCTION REPORT: "Antique," "Finder of Lost Children," "Float," "Salim Baba," "Then She Found Me"
March 5, 2007
REVIEW | Pleasure Island : Jean-Claude Brisseau's "The Exterminating Angels"
March 1, 2007
DOC COLUMN: Fests Bring Out the Docs in March
February 27, 2007
REVIEW | Louder Than Bombs: Phillip Groning's "Into Great Silence"
February 22, 2007
SHORTS | Everyone's a Winner at the Academy's Pre-Oscars Shorts Screening
February 15, 2007
World Cinema Web: Can Digital Downloads Offer Viable Avenues for Int'l Films?
February 14, 2007
REVIEW | Law & Order: Abderrahmane Sissako's "Bamako"
February 12, 2007
REVIEW | Aftermath: Jasmila Zbanic's "Grbavica: Land of My Dreams"
February 7, 2007
REVIEW | I Spy: Florian Henckel von Donnersmarck's "The Lives of Others"
February 6, 2007
PRODUCTION REPORT: "The Art of the Fight," "The Champion Inside," "The Guitar," "A Simple Love Story," "Winter"
January 31, 2007
REVIEW | More Tales of the City: Maria Maggenti's "Puccini for Beginners"
January 29, 2007
PARK CITY '07 REVIEW | The Girl Couldn't Help It: David Stenn's "Girl 27"
January 22, 2007
PARK CITY '07 REVIEW | Home of the Weak: The Middlebrow Melodrama of "Grace is Gone"
January 21, 2007
PARK CITY '07 REVIEW | The Return of the Oppressed: The Haunting "Ghosts of Abu Ghraib"
January 19, 2007
PARK CITY '07 REVIEW | The Kids Aren't Alright, But They Can Be: Sean Fine and Andrea Nix Fine's "War Dance"
January 10, 2007
REVIEW | Eastern Western: Wisit Sasanatieng's "Tears of the Black Tiger"
January 9, 2007
World Cinema: 10+ Foreign Productions to Watch For at Winter Fests
January 6, 2007
The Critics Have Spoken (Again); National Society Chooses "Pan's Labyrinth" As Best Film of 2006
January 2, 2007
Reverse Shot's Top Ten List for 2006
December 28, 2006
Industry and Blogger Top 10s for 2006: "Borat," "Pan's Labyrinth," "The Departed," and "Jesus Camp" Among List Leaders
December 26, 2006
indieWIRE's Top Ten Lists for 2006
December 26, 2006
Looking Back at '06: Music and Politics Dominate Documentaries
December 21, 2006
CRITICS' POLL '06 | The Afterlife of "Mr. Lazarescu": Cristi Puiu's Meditation on Mortality Tops indieWIRE Critics Poll
December 21, 2006
CRITICS' POLL '06 | Film Critics Pick 200+ Favorite Undistributed Films
December 20, 2006
REVIEW | Love and Marriage: John Curran's "The Painted Veil"
December 19, 2006
REVIEW | Chit Chat: Chris Marker's "The Case of the Grinning Cat"
December 18, 2006
Short Docs Shine at the Inaugural Independent Lens Online Shorts Festival
December 17, 2006
REVIEW | Pomp and Circumstance: Zhang Yimou's "Curse of the Golden Flower"
December 13, 2006
REVIEW | Death of a Ladies' Man: Roger Michell's "Venus"
December 11, 2006
AWARDS WATCH | New York Critics Pick "United 93" and "Letters from Iwo Jima" Top Choice in LA
December 7, 2006
NEW THIS WEEK: Lynch's "Empire" Arrives, and More
December 4, 2006
REVIEW | Into the Woods: David Lynch's "Inland Empire"
November 25, 2006
REVIEW | Agriculture Clash: Nikolaus Geyrhalter's "Our Daily Bread"
November 20, 2006
SHORTS COLUMN | Reasons to be Thankful: Ten Dazzling Short Film DVDs
November 16, 2006
REVIEW | Raw Meat: Richard Linklater's "Fast Food Nation"
November 15, 2006
REVIEW | Buzz Kill: Christopher Guest's "For Your Consideration"
November 14, 2006
REVIEW | Obscure Object: The Brothers Quay's "The Piano Tuner of Earthquakes"
November 13, 2006
REVIEW | Last Trance: Fabian Bielinsky's "The Aura"
November 9, 2006
NEW THIS WEEK | Imagining Arbus in "Fur"; "Iraq," "Morning," "Fuck" and More
November 9, 2006
REVIEW | Hoodwinked: David Ayer's "Harsh Times"
November 8, 2006
REVIEW | Natural Beauty: Byambasuren Davaa's "The Cave of the Yellow Dog"
November 6, 2006
Production Report | "Amexicano," "Let Them Chirp Awhile," "Love is Jihad," "Served Cold," "Tobruk"
November 2, 2006
REVIEW | Unknown White Males: Simon Brand's "Unknown"
November 1, 2006
REVIEW | Coming Around: Pedro Almodovar's "Volver"
October 26, 2006
NEW THIS WEEK: "Babel," "God," "Sing," "Cocaine," and More
October 26, 2006
Stand Up, Be Counted: Grassroots Docs Warn of Flawed Electronic Voting Systems
October 23, 2006
Borderline: Eric Steel's "The Bridge"
October 18, 2006
SHORTS MONTHLY: Graduating with Honors: 17 Shorts Go Primetime on "Fine Cut: KCET's Festival of Student Film"
October 16, 2006
Demon Lover: Hans-Christian Schmid's "Requiem"
October 12, 2006
NEW THIS WEEK: "Sweet Land" Kicks Off in Minnesota; "Deliver Us From Evil" Debuts
October 9, 2006
Loony Bin: Terry Gilliam's "Tideland"
October 5, 2006
NEW THIS WEEK: "Shortbus" Arrives Without an Uproar (so far); "Angels," "Gold," "49 Up" and More Debut
October 2, 2006
This Is Hardcore: John Cameron Mitchell's "Shortbus"
September 29, 2006
NYFF CRITICS NOTEBOOK: The Best, the Worst and a Festival Revelation
September 28, 2006
NEW THIS WEEK: "The Queen," "Broken Sky," "loudQUIETloud," "A Guide to Recognizing Your Saints," "The Last King of Scotland"
September 25, 2006
Slaughter Rule: Kevin MacDonald's "The Last King of Scotland"
September 22, 2006
Believe the Hype: Ten of the Most Buzzed-About Films from Two of Southern California's Largest Shortfests
September 20, 2006
Dream Weaver: Michel Gondry's "The Science of Sleep"
September 18, 2006
Nature Boys: Kelly Reichardt's "Old Joy"
September 5, 2006
Production Report: "Among the Shadows," "Broken English," "Dismal," "OperaWorks," and "Sellin' Helen"
August 31, 2006
NEW THIS WEEK: "Mutual Appreciation," "This Film Is Not Yet Rated," "Lassie" and More
August 28, 2006
The Great Divide: Andrew Bujalski's "Mutual Appreciation"