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    Recycling at the Cinema: True Grit, The Great Gatsby and RED

    We all know recycling is good for the planet, but is it good for cinema? Consider three old-is-new retreads: a western remake, a 1920s period piece and a contemporary action flick. True Grit is a remake of a 1969 John Wayne film which was adapted from a novelization of a Charles Portis 1968 serial which first appeared in The Saturday Evening Post. The Great Gatsby started as a lauded 1925 F. Scott Fitzgerald novel which became a film in 1926 and again in 1949 and 1974. Even comedy hit RED, although it is not based on a book or an old movie, still exists--argues Movie City News--due to recycling of the DC graphic novel's plot and characters. T...

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    Five Things that Went Wrong with Wall Street: Money Never Sleeps

    As a reminder that a strong opening does not always a winning movie make, Twentieth Century Fox is looking at some red ink on the fall sequel Wall Street: Money Never Sleeps. This is not necessarily good news for the future of studio adult dramas. Anthony D'Alessandro reports: While Oliver Stone sco...

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    For Colored Girls Living Portraits Gallery

    For Colored Girls star Janet Jackson is hosting Tim Palen's "Living Portraits" opening night event at Manhattan's Lehman Maupin gallery on October 24. The 35mm series features the eight stars of For Colored Girls: Jackson, Thandie Newton, Whoopi Goldberg, Kerri Washington, Anika Noni Rose, Loretta D...

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    Weekend Box Office Goes to Record-Breaking Jackass 3D; Red Ensemble Scores in Second

    Two escapist comedies launched at Comic-Con surged to unexpected box office heights for October as Jackass 3D and ensemble action comedy Red grossed an estimated $50 million and $22.5 million, respectively, reports Anthony D'Alessandro:

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    Weekly Wrap: Zimmer and Reeves Talk, Oscar Buzz Builds, Casting Franchises, Shifting Media

    INTERVIEWS- We analyze Let Me In's box office and awards potential and talk to Let Me In writer-director Matt Reeves.

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    What Went Wrong With Tamara Drewe?

    Something went terribly wrong with Tamara Drewe, an entertaining romantic comedy that played well at Cannes from one of the great Brit directors, Stephen Frears, starring hottie-on-the-rise Gemma Arterton. Sony Pictures Classics opened it last weekend to disastrous business: $19,300 on four screens,...

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    Oscar Round-Up: The Social Network Leads Buzz, Bullock vs. Lane, Renner's a Star

    As awards season heats up and the growing surge of Oscar pundits weigh in more frequently, every Thursday the Daily Read will round up their worthiest efforts. And every Friday, as usual, we post the Oscar Talk podcast: this week we welcome London Fest attendees Guy Lodge (In Contention) and Peter K...

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    Looking Back: Top Ten of 2010 So Far

    While many moviegoers are at sea as they read about supposed Oscar contenders they still haven't seen, the LAT has the temerity to look back at the best of the what the year has had to offer so far. We will open up our Netflix queue for the ones we've missed:Animal Kingdom: "manages to be both lacon...

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    Production News: Bourne Without Bourne, Mad Max Stalls, Eastern Promises 2

    - Writer-director Tony Gilroy is trying to have it both ways. He confirms that The Bourne Legacy will be made without Matt Damon - but he contradicts himself. "This is not a reboot or a recast or a prequel. No one's replacing Matt Damon," Gilroy says. "There will be a whole new hero, a whole new chapter…this is a stand-alone project" that happens to be using the title of Robert Ludlum's book, "but will not use the story":"The easiest way to think of it is an expansion or a reveal…Jason Bourne will not be in this film, but he's very much alive. What happened in the first three films is the trigger for what happens. I'm building a legend and an...

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    Studios Pull Out Marketing Stops on Tron: Legacy and Waiting for Superman

    Studios Paramount and Disney are kicking marketing into gear for the education doc Waiting for Superman and the 3-D VFX extravaganza Tron: Legacy, respectively.

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