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    Weekly Wrap: Zimmer and Reeves Talk, Oscar Buzz Builds, Casting Franchises, Shifting Media

    INTERVIEWS- We analyze Let Me In's box office and awards potential and talk to Let Me In writer-director Matt Reeves.

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    What Went Wrong With Tamara Drewe?

    Something went terribly wrong with Tamara Drewe, an entertaining romantic comedy that played well at Cannes from one of the great Brit directors, Stephen Frears, starring hottie-on-the-rise Gemma Arterton. Sony Pictures Classics opened it last weekend to disastrous business: $19,300 on four screens,...

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    Oscar Round-Up: The Social Network Leads Buzz, Bullock vs. Lane, Renner's a Star

    As awards season heats up and the growing surge of Oscar pundits weigh in more frequently, every Thursday the Daily Read will round up their worthiest efforts. And every Friday, as usual, we post the Oscar Talk podcast: this week we welcome London Fest attendees Guy Lodge (In Contention) and Peter K...

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    Looking Back: Top Ten of 2010 So Far

    While many moviegoers are at sea as they read about supposed Oscar contenders they still haven't seen, the LAT has the temerity to look back at the best of the what the year has had to offer so far. We will open up our Netflix queue for the ones we've missed:Animal Kingdom: "manages to be both lacon...

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    Production News: Bourne Without Bourne, Mad Max Stalls, Eastern Promises 2

    - Writer-director Tony Gilroy is trying to have it both ways. He confirms that The Bourne Legacy will be made without Matt Damon - but he contradicts himself. "This is not a reboot or a recast or a prequel. No one's replacing Matt Damon," Gilroy says. "There will be a whole new hero, a whole new chapter…this is a stand-alone project" that happens to be using the title of Robert Ludlum's book, "but will not use the story":"The easiest way to think of it is an expansion or a reveal…Jason Bourne will not be in this film, but he's very much alive. What happened in the first three films is the trigger for what happens. I'm building a legend and an...

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    Studios Pull Out Marketing Stops on Tron: Legacy and Waiting for Superman

    Studios Paramount and Disney are kicking marketing into gear for the education doc Waiting for Superman and the 3-D VFX extravaganza Tron: Legacy, respectively.

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    Weekend Box Office: Word-of-Mouth Sells Social Network Over Newbies Life as We Know It, Secretariat

    Strong word-of-mouth propelled The Social Network to a strong hold over two openers with femme appeal, the Katharine Heigl rom-com Life as We Know It and the 70s true story sports drama Secretariat, starring Diane Lane. Anthony D'Alessandro reports.A soft Columbus Day weekend frame totaling an estimated $76 million, off 16% from a year ago, slowed moviegoing for new entries this weekend, but kept holdovers alive. Sony’s The Social Network remained online with the masses, hanging onto No. 1 with $15.5 million, off a sweet 31%.  The film saw a 32% spike between Friday and Saturday, clearly indicating that word-of-mouth continues to be strong f...

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    Be a Douchebag With Your iPhone

    Drake Doremus' low-brow Sundance comedy Douchebag, which opened in New York over the weekend, is about two brothers, one on the verge of marriage, who go on a wild goose chase to find the other's fifth grade girlfriend. While some big studio films (Tron: Legacy comes to mind) have developed iPhone a...

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    The Social Network's Treatment of Women, Winterbottom's Kercher Murder Mystery to Star Firth

    -It's no surprise that David Fincher and Aaron Sorkin's The Social Network is getting Oscar-buzz, zeitgeist hype and debates about what is fact and fiction. Now the role of women in the film is kicking up controversy. The Daily Beast's Rebecca Davis O'Brien argues that the femme roles are props in a...

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    The Social Network Plays Well to Academy

    Saturday's Academy screening of The Social Network played well to a full house--the movie also opened at number one this weekend, and scored rave reviews, which won't hurt with Oscar voters.

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