PEOPLE

January 18, 2008

PARK CITY '08 INTERVIEW | "Eat, For This Is My Body" Director Michelange Quay

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening in the New Frontier program at Sundance '08, Michelange Quay's first feature uniquely discusses the evolution of power and the relationship between black boys and white women in the director's native Haiti. As Sundance's Shari Frilot explains, "Eat" "seductively begs the viewer to abandon the rules of traditional storytelling and instead embrace a poetic, cinematic language." Frilot finds a "muscular confidence and inspired dreamlike quality to Quay's filmmaking." He "evocatively blends gorgeous imagery with an infectious musical energy to create a story that is largely free of dialogue and entirely visceral in effect."
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PARK CITY '08 INTERVIEW | "Diminished Capacity" Director Terry Kinney

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Actor and theatre director Terry Kinney makes his feature film debut with "Diminished Capacity," which will premiere at Sundance '08. "Capacity" follows Chicago newspaper editor Cooper (Matthew Broderick), who goes home to Missouri to visit his uncle Rollie (Alan Alda), who is showing signs of mental deterioration. Their relationship evolves when Rollie shows Cooper a rare baseball card, leading to the two of them, as well as Cooper's high school sweetheart Charlotte (Virginia Madsen) on a trip back to Chicago to sell it. Sundance's John Nein calls "Capacity" a "delightful, bittersweet comedy about people coming together and memory falling apart."
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PARK CITY '08 INTERVIEW | "Smart People" Director Noam Murro

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Premiering at Sundance '08, director Noam Murro makes his feature film debut with "Smart People," a dark comedy starring Dennis Quaid, Sarah Jessica Parker, Thomas Haden Church and Ellen Page. Previously an award-winning commercial director, Murro's first feature is the story of a widowed literature professor, Lawrence Wetherhold (Quaid), who falls for Janet (Parker), one of his past pupils. Sundance's John Cooper finds that "People" "surely signals the beginning of an accomplished new career in feature filmmaking. Mixing comedy genres, including just a hint of slapstick, Murro proves he has an assured grasp on what any good adult comedy needs - an expert balance of pace and pathos."
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January 17, 2008

PARK CITY '08 INTERVIEW | "Phoebe in Wonderland" Director Daniel Barnz

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening in the Dramatic Competition program at Sundance '08, Daniel Barnz's feature directorial debut, "Phoebe in Wonderland" is a rich investigation of the complexities of growing up. "Phoebe" details Phoebe (Elle Fanning), a young girl, her mother (Felicity Huffman), a woman who desperately seeks success in an academic career at the expense of her parenting, and a drama teacher (Patricia Clarkson), who is directing a school production of "Alice in Wonderland" in which Phoebe seeks a role. Sundance's Geoffrey Gilmore calls "Phoebe" an "honest and thoughtful work that is not to be missed." He explains that "as an examination of normalcy and madness, this is realistic and cerebral storytelling, but it is also extravagantly magical, a metaphorical fable that examines childhood, our attempts to understand it, and the way we, as parents and teachers, navigate its treacherous shoals."
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January 16, 2008

PARK CITY '08 INTERVIEW | "North Starr" Director Matthew Stanton

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening in the Dramatic Competition program at Sundance '08, Matthew Stanton's "North Starr" follows an aspiring rap star, Demetrious, that witnesses the murder of his best friend. After this event, he decides to escape inner-city Houston for rural Texas. Sundance's Shari Frilot calls "North Starr" a "poignant and heartfelt urban redemption story about healing wounds born of racism and the kind of trust that binds people together."
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PARK CITY '08 INTERVIEW | "Timecrimes" Director Nacho Vigalondo

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening as part of Sundance '08's Park City at Midnight program, Nacho Vigalondo's "Timecrimes" is the director's feature length debut after the Academy Award nominated shot, "7:35 in the Morning." "Timecrimes" follows Hector (Karra Elejalde ), a man who is attacked by a figure wrapped in a giant pink head bandage. After escaping, Hector hides in an odd contraption in a science laboratory. When he emerges, things have changed. Sundance's John Nein says Viaglondo "has a great instinct for the aesthetic, moving effortlessly between a tense, disquieting atmosphere and a relentless, driving energy." His story "of an ordinary man flung into circumstances far beyond his comprehension (and perhaps his control) is propelled by a deeper curiosity than genre antics alone will satisfy."
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January 15, 2008

indieWIRE INTERVIEW | "Trouble the Water" Co-directors Tia Lessin and Carl Deal

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Directors Tia Lessin and Carl Deal's Sundance doc competition film "Trouble the Water" humanizes a voiceless population silenced after the devastation of Hurricane Katrina in New Orleans. In the film, the filmmakers (who worked with Michael Moore on "Bowling for Columbine" and "Fahrenheit 9/11") team up with native New Orleans filmmaker and musician Kimberly Rivers and her husband to create an account of the effects of Katrina has had on the city's population. "'Trouble the Water' makes unapologetically clear that Hurricane Katrina rages on as an unnatural disaster of governmental and journalistic failure," writes Sundance's Shari Frilot of the film in the '08 Sundance catalog. "What is also truly amazing is that the levee protecting Kimberly's humanity against this devastating storm remains firmly grounded in her deep-rooted love for New Orleans, her family, and her art, and her enduring faith in her fellow human beings."
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PARK CITY '08 INTERVIEW | "A Raisin in the Sun" Director Kenny Leon

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Based on the award-winning play by Lorraine Hansberry, "A Raisin in the Sun" is a film adapation of director Kenny Leon's own recent Broadway revival of the play. "Raisin" follows the Younger family as they struggle in 1950s Chicago. When an insurance check changes that, each goes about spending the money differently, and the family balance is but to the test. Sundance's John Cooper says "Raisin" has been elegantly transformed from stage to film by director Kenny Leon's careful guidance and the performances of a talented and insightful cast. In their capable hands, this American classic reveals it is as timely and significant as ever."
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January 14, 2008

PARK CITY '08 INTERVIEW | "The Last Word" Director Geoff Haley

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening in the Dramatic Competition program at Sundance '08, "The Last Word" is Geoff Haney's feature debut. A dark romantic comedy set in Los Angeles, it follows Evan (Wes Bentley), a writer who makes a living writing other people's suicide notes. When Evan meets Charlotte (Winona Ryder), the free-spirited sister of a client, a romance develops despite secrets, and heading for some complex deception. Sundance's David Courier calls "The Last Word" a "surprisingly touching, quirky, and wickedly intelligent" comedy that "confronts loss, redemption, and our curious need to leave a legacy."
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PARK CITY '08 INTERVIEW | "Ballast" Director Lance Hammer

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Screening in the Dramatic Competition program at Sundance '08, Lance Hammer's "Ballast" follows the effects of one man's suicide on three people in a rural Mississippi Delta township Marlee is a single mother; her son James, who is having drug and violence issues; and Lawrence, a man who Marlee shares property with. Sundance's Caroline Libresco calls "Ballast" "one of those rare films that maximize the medium through an aesthetic of understatement." She finds every frame "deliberately and beautifully composed" and every cut "artfully and economically executed - not only to transmit a quietly gripping story but to reveal characters' layered emotional experiences and the specific textures and sensations of their locales."
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January 13, 2008

PARK CITY '08 INTERVIEW | "Secrecy" Co-Director Peter Galison

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Competiting in the Documentary program at Sundance '08, Peter Galison and Robb Moss' "Secrecy" takes on the world of hidden national security policy and analyses the implications of this secrecy, both for government and individuals. It combines animation, installations, music and interviews to, as Sundance's Cara Mertes explains, "take us inside the inverted world of government secrecy as we share the experiences of lawyers, CIA analysts, and the ordinary people for whom secrecy becomes a matter of life and death."
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January 12, 2008

PARK CITY '08 INTERVIEW | "Traces of the Trade" Director Katrina Browne

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Competiting in the Documentary program at Sundance '08, Katrina Browne's "Traces of the Trade: A Story From The Deep North" is an exploration of the first-time filmmaker's family history. Browne's ancestors, the deWolfs, were the largest slave-trading family in United States history. From 1769 to 1820, three generations of De Wolfs brought over more than 10,000 Africans. Browne wrote to more than 200 family descendents, inviting them to join her in on a journey to trace the family's legacy in a trip from Ghana to Cuba. Nine accepted the invitation. Sundance's Geoffrey Gilmore says of "Trace": "In this bicentennial year of the abolition of the slave trade, "Traces of the Trade" makes a potent statement about privilege and responsibility."
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January 11, 2008

PARK CITY '08 INTERVIEW | "The Linguists" Directors Seth Kramer, Daniel A. Miller and Jeremy Newberger

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Featured in the Spectrum section at Sundance '08, "The Linguists" marks the feature debut of producing-directing team Ironbound Films, made up of Seth Kramer, Daniel A. Miller and Jeremy Newberger. Their film follows two academic, David Harrison and Greg Anderson, as they travel to places around the world in search of "endangered languages." Speaking 25 languages between them, the two men seek to discover the many disappearing languages threatended by "colonialism and economic unrest." As Sundance's Lisa Viola notes, "these humble ethnographers are in a race against time to preserve the increasingly rare words, which are intricately linked to the vanishing traditions and heritage of Indigenous populations. Well-paced and laced with humor, 'The Linguists' serves as an insightful, contemporary adventure film with a strong emphasis on cultural history."
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PARK CITY '08 INTERVIEW | "Sleep Dealer" Director Alex Rivera

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Featured in the Dramatic Competition program at Sundance '08, Alex Rivera's directorial debut, "Sleep Dealer" is set in a near future world full of chaos: "airtight international borders, militarized corporate warriors, and an underground class of node workers who plug their nervous systems into a global computer network that commodifies memory." "Dealer"'s protagonist is Memo Cruz (Luis Fernando Pena), a young man who lives with his family in a small town and dreams of a big city life full of technological wonder, comes across a transmission that could change the future in a way he'd never expected. Sundance's Shari Frilot calls "Sleep Dealer" a fascinating and prescient work of science fiction that is as politically engaged as enjoyable to watch."
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January 10, 2008

PARK CITY '08 INTERVIEW | "Up The Yangtze" Director Yung Chang

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Premiering at Sundance '08 in the Documentary Competition program, Yung Chang's "Up The Yangtze" examines the effects of the construction of the massive Three Gorges Dam on the Yangtze River. The dam is to become the largest hydroelectric power station in the world, but with this comes the displacement of millions of residents and the destruction of landmarks. Yang follows two young people effected by the project, and the result provides "a final snapshot of a rapidly disappearing cultural landscape," says Sundance's Rosie Wong. Wong notes that "juxtaposing the Yangtze's stunning panorama with the reality of Yu Shui's poignant story, Chang shows the tenuous balance between China's rich cultural past and its modernized future."
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PARK CITY '08 INTERVIEW | "Frozen River" Director Courtney Hunt

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Premiering at Sundance '08 in the Dramatic Competition program, Courtney Hunt's "Frozen River" follows Rae Eddy (Melissa Leo), a woman who lives in upstate New York whose husband has left her two days before Christmas. In addition to that, he has also gambled way all their savings, forcing Rae to feed her two sons popcorn and Tang. But when Rae meets Lila LIttlewolf (Misty Upham), she discovers a new way to make money: smuggling illegal immigrants into the United States. Sundance's Shari Frilot calls "River" "a wonderfully directed film full of atmosphere, heart, and outstanding performances by Melissa Leo and Misty Upham." that is "ultimately about the strength that resides in family and the way hope in a dire situation can be uncovered by courage and trust."
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PARK CITY '08 INTERVIEW | "Nerakhoon (The Betrayal)" Director Ellen Kuras

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. With the rise of a communist government in Laos, lillings and arrests became common among those afflicted with the former govenrment and the Americans. Families were torn apart -- some finally emigrating to the U.S. Spanning 20 years, vet D.P. Ellen Kuras debuts her first directorial effort "Nerakhoon (The Betrayal)"with Laotian co-director Thavisouk Phrasavath, who is the main subject of the film. The Sundance Film Festival's Cara Mertes comments in this year's fest catalog, "'Nerakhoon (The Betrayal)' is an exquisitely crafted tale about a country, a family, and a young man who discovers the power and resilience of the human spirit. The film is screening in SFF's documentary competition.
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January 9, 2008

PARK CITY '08 INTERVIEW | "Downloading Nancy" Director Johan Renck

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Featured in the Dramatic Competition program at Sundance 2008 is Johan Renck's feature film directorial debut, "Downloading Nancy." "Nancy" follows the titular character (played by Maria Bello), as she leaves her husband Albert (Rufus Sewell) in search of her online soulmate, Louis (Jason Patric). Sundance's John Cooper calls the film "stunningly executed" and that Renck "forces the viewer to succumb to the darkness these characters face in the world - if not with empathy or sympathy, at least with understanding."
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January 8, 2008

PARK CITY '08 INTERVIEW | "Quid Pro Quo" Director Carlos Brooks

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Premiering at Sundance '08 in the Spectrum program, Carlos Brooks' "Quid Pro Quo," details the story of Isaac (Nick Stahl), a popular New York City public-radio reporter who also happens to be a paraplegic. His investigation of a particular story about a man who had requested his leg be amputated for no medical reason leads him to Flora (Vera Farmiga). While developing a relationship with her, Flora introduces Isaac to subculture of paraplegic "wannabes." Sundance's Nazgol Zand finds that "Quid Pro Quo" does not celebrate or sensationalize the subculture it portrays but instead explores the human psyche and allows the audience to ask questions."
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PARK CITY '08 INTERVIEW | "The Guitar" Director Amy Redford

Park City coverage sponsored by BE KIND REWIND.

EDITORS NOTE: This is part of a series of interviews, conducted via email, profiling first-time feature directors who have films screening at the 2008 Sundance Film Festival. Amy Redford, who has acted in such films as "The Music Inside" as well as Sundance 2008 offering "Sunshine Cleaning," and is also he daughter of Robert Redford, will premiere her first feature film, "The Guitar," at Sundance. What the festival's Geoffrey Gilmore calls a "whimsical fairy tale," "The Guitar" follows Mel (Saffron Borrows), a unfortunate young woman who loses her job and boyfriend and finds out she has terminal cancer all on the same morning. Instead of giving in she embarks on a journey that Gilmore claims has the "kind of self-indulgent wish fulfillment that we have all fantasized about." Based on a true story adapted by Amos Poe, "The Guitar" is "overflowing with an energy and vitality that belie the initial darkness of its narrative."
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Older Entries from Park City

January 7, 2008
PARK CITY '08 INTERVIEW | "Donkey Punch" Director Olly Blackburn

January 7, 2008
PARK CITY '08 INTERVIEW | "Chronic Town" Director Tom Hines

January 4, 2008
PARK CITY '08 INTERVIEW | "Anvil! The True Story of Anvil" Director Sacha Gervasi

January 4, 2008
PARK CITY '08 INTERVIEW | "Patti Smith: Dream of Life" Director Steven Sebring

January 3, 2008
PARK CITY '08 INTERVIEW | "Bigger, Faster, Stronger*" Director Christopher Bell

January 3, 2008
PARK CITY '08 INTERVIEW | "The Escapist" Director Rupert Wyatt

January 2, 2008
PARK CITY '08 INTERVIEW | "Choke" Director Clark Gregg

January 2, 2008
PARK CITY '08 INTERVIEW | "The Deal" Director Steven Schachter

July 5, 2007
indieWIRE INTERVIEW | "Joshua" director George Ratliff

January 29, 2007
PARK CITY '07 INTERVIEW | Andrew Wagner: "Creative integrity and time are oppositional hungers -- we decided the best way to nourish the first was to focus on what we could achieve rather than on what we couldn't."

January 27, 2007
PARK CITY '07 INTERVIEW | Adam Bhala Lough: "I had a dream one night. I woke up and wrote it down. The next day I put it in script form. The dream is the first scene of 'Weapons.'"

January 27, 2007
PARK CITY '07 INTERVIEW | Steven Okazaki: "It is an extraordinary story in which all of the characters share this one moment in time, when they looked up and saw the bomb coming down..."

January 26, 2007
PARK CITY '07 INTERVIEW | Bruno Ulmer: "These men are forced to risk even the sense of their own masculinity."

January 26, 2007
PARK CITY '07 INTERVIEW | Nejib Belkadhi: "Our approach was to stick to his amateur logic without falling into amateurism ourselves."

January 25, 2007
PARK CITY '07 INTERVIEW | Donal MacIntyre: "The head of the Noonan crime family casually told me that a known hit-man had been offered a contract to kill me."

January 25, 2007
PARK CITY '07 INTERVIEW | Mitchell Lichtenstein: "It became clear very quickly that -- mainly because of the outrageous premise -- no company was going to help us make 'Teeth'".

January 24, 2007
PARK CITY '07 INTERVIEW | Jessica Yu: "I was intrigued by the path of someone who tries to shape his life in one particular direction...but who becomes so engrossed that he becomes the opposite of what he had intended."

January 23, 2007
PARK CITY '07 INTERVIEW | Masha Novikova: "I wanted to make a film about the two wars in Chechenya, told through the eyes of ordinary people."

January 23, 2007
PARK CITY '07 INTERVIEW | David Gordon Green: "I was introduced to some people that work in movies, but don't love them. That was somewhat confusing..."

January 23, 2007
PARK CITY '07 INTERVIEW | Dror Shaul: "The biggest challenge was making a film about a subject so close to my own private experience."

January 22, 2007
PARK CITY '07 INTERVIEW | Petr Lom: "Leaving the safety net of my life in the university for a freelance profession was a very difficult choice."

January 21, 2007
PARK CITY '07 INTERVIEW | Matthew Saville: "What fascinated me was the pall, the painful, unspeakable silence that consumed the country..."

January 21, 2007
PARK CITY '07 INTERVIEW | Christopher Zalla: "I wanted the audience to feel like the movie could really go in any direction at any moment."

January 20, 2007
PARK CITY '07 INTERVIEW | Bill Guttentag and Dan Sturman: "I felt that the words 'holocaust' and 'forgotten' should never be in the same sentence..."

January 20, 2007
PARK CITY '07 INTERVIEW | Pernille Rose Gronkjaer: "I have always been fascinated by strong old people with a good strong character."

January 19, 2007
PARK CITY '07 INTERVIEW | Jessica Woodworth: "One fine blue sky day we said simultaneously 'shove it all, let's do fiction.'"

January 19, 2007
PARK CITY '07 INTERVIEW | JJ Lask: "My approach to making a film is like robbing a bank. It's a heist. Filmmaking is the greatest heist."

January 18, 2007
PARK CITY '07 INTERVIEW | Rory Kennedy: "The greatest risk in making [the film] was not one that I took personally, but taken by the people I interviewed, particularly the Iraqi detainees..."

January 18, 2007
PARK CITY '07 INTERVIEW | Jennifer Baichwal: "Burtynsky's images are a perfect metaphor for the literal hole in the ground we create gathering materials to make things."

January 17, 2007
PARK CITY '07 INTERVIEW | John Carney: "We would steal the camera, heading off around Dublin at night making short films."

January 17, 2007
PARK CITY '07 INTERVIEW | Ian Iqbal Rashid: "My main influences were the dance films I grew up with: Fame, Flashdance, and in particular, Saturday Night Fever."

January 16, 2007
PARK CITY '07 INTERVIEW | David Sington: "At the end of 90 minutes the audience does feel it really knows these remarkable men."

January 16, 2007
PARK CITY '07 INTERVIEW | Jason Kohn: "I really thought of 'Manda Bala' as a non-fiction 'RoboCop' depicting a very real broken and violent society."

January 15, 2007
PARK CITY '07 INTERVIEW | James C. Strouse: "I don't believe in moving the camera or doing a close-up just for the hell of it."

January 15, 2007
PARK CITY '07 INTERVIEW | Xiaolu Guo: "It is very much a writer's film which I think [stems] from my background as a novelist"

January 11, 2007
PARK CITY '07 INTERVIEW | Irene Taylor Brodsky: "When my parents told me they were going to get cochlear implants - at age 65 - I was totally shocked..."

January 11, 2007
PARK CITY '07 INTERVIEW | Shimon Dotan: "An even greater fear though, was that as I grew to know these people, I'd like them"

January 10, 2007
PARK CITY '07 INTERVIEW | Newton Aduaka: "This was a project ready to go, with people I'd hoped to work with for years"

January 10, 2007
PARK CITY '07 INTERVIEW | Steve Berra: "My philosophy was to never have a back-up plan."

January 10, 2007
PARK CITY '07 INTERVIEW | Daniel Gordon: "Finally meeting Americans who were fully fledged citizens of the Democratic People's Republic of Korea, has to go down as one of the most surreal of my life..."

January 9, 2007
PARK CITY '07 INTERVIEW | David Stenn: "From the start, I felt outrage: first rape victim Patricia Douglas is denied justice, then her historic case gets buried."

January 8, 2007
PARK CITY '07 INTERVIEW | Taika Waititi: "On one hand this is an art film with funny moments, on the other it is a romantic comedy with a soul and no stars attached"

January 8, 2007
PARK CITY '07 INTERVIEW | Sterlin Harjo: "I wanted to make a film about Indian characters that suffer through the things that all humans do"

January 7, 2007
PARK CITY'07 INTERVIEW | Uli Gaulke: "For me filmmaking is all about listening, spending time with people, submersing myself in alien lifestyles and walking a mile in the shoes of my characters"

January 4, 2007
PARK CITY '07 INTERVIEW | Alfredo de Villa: "I was conscious of becoming a filmmaker when I was 7..."

January 4, 2007
PARK CITY '07 INTERVIEW | Heitor Dhalia: "I have always loved independent films that treated serious themes with a touch of humour and irony. I wanted to make a film just like that."

January 3, 2007
PARK CITY '07 INTERVIEW | Lincoln Ruchti: "These guys talk about the arcade like it was their first girlfriend."

January 3, 2007
PARK CITY '07 INTERVIEW | Alejandro Landes: "...I did not want to try to control an already volatile environment like Evo's bid to the presidency"

January 30, 2006
PARK CITY '06: Chris Gorak: "I never went to film school...working for 14 years in the film industry was my film school."

January 29, 2006
PARK CITY '06: Dito Montiel: "I learned filmmaking from loving movies and then just saying, OK, let's do it."

January 28, 2006
PARK CITY '06: Maria Maggenti: "It took seven years to make 'Puccini for Beginners'...my biggest challenge was not giving up."

January 28, 2006
PARK CITY '06: Hadjii: "Personal experiences and the experiences of others are always heavy in my work..."

January 27, 2006
PARK CITY '06: Brian Jun: "There's no such thing as 'that's not my job' in indie film."

January 27, 2006
PARK CITY '06: Linda Hawkins Costigan & Linda Goldstein Knowlton: "...A documentary can be both beautifully stylized and still tell an important story."

January 26, 2006
PARK CITY '06: Sabina Guzzanti: "...The restriction of freedom of expression is a problem that concerns all Western countries..."

January 26, 2006
PARK CITY '06: Patrick Creadon: "Final Score: Happy Results = 1, Red Tape = 0."

January 25, 2006
PARK CITY '06: Bobcat Goldthwait: "I'm really more interested in the excitement and the creativity of making a movie...than...the possibility of success."

January 24, 2006
PARK CITY '06: Brian Hill: "Although the prison authorities were very supportive...filming schedules and prison regimes are not necessarily compatible."

January 24, 2006
PARK CITY '06: Alan Berliner: "I wanted to understand the source and seed of some of my deepest conflicts and contradictions..."

January 24, 2006
PARK CITY '06: Mark Dornford-May: "I got into film very late - last year!"

January 23, 2006
PARK CITY '06: Heidi Specogna: "With no fixed story in mind, being open and most important: having time...to develop what can become a documentary."

January 23, 2006
PARK CITY '06: Hilary Brougher: "I flirted with being a painter but realized I needed a medium involving lots of other people..."

January 22, 2006
PARK CITY '06: Michael Cain: "The sheer volume of material, over 3200 hours of footage, often ran people away."

January 22, 2006
PARK CITY '06: Max Makowski: "A true indie is made by filmmakers armed with nothing more than a script, a camera, passion, and a lot of peanut butter sandwiches."

January 21, 2006
PARK CITY '06: Tin Dirdamal: "I became a filmmaker by accident."

January 20, 2006
PARK CITY '06: Ricki Stern & Annie Sundberg: "It's...a gift to find a subject that truly inspires you to achieve something lasting."

January 20, 2006
PARK CITY '06: Yuan Zhang: "I realized that, no matter how young children might be...they have a complete soul, a full set of emotions."

January 19, 2006
PARK CITY '06: Wash Westmoreland & Richard Glatzer: "We didn't want this film to feel like it was made by two white boys peering in."

January 19, 2006
PARK CITY '06: Rex Bloomstein: "There is talk of 'Holocaust fatigue,' as if such a subject can ever be exhausted."

January 18, 2006
PARK CITY '06: Auraeus Solito: "...It was almost like going back and remembering how I grew up, like being in a documentary."

January 18, 2006
PARK CITY '06: Malcolm Ingram: "And if you truly have something to say. Nothing will stop you from saying it."

January 17, 2006
PARK CITY '06: So Yong Kim: "Tell your story now and work within the limitations of what you have."

January 17, 2006
PARK CITY '06: Juan Carlos Rulfo: "I believe documentary filmmaking is the best thing"

January 16, 2006
PARK CITY '06: Patricia Foulkrod: "I learned to direct from having my heart broken and reshaped a few times..."

January 16, 2006
PARK CITY '06: Jocelyne Saab: "I was sipping my coffee and staring at the Nile. I was asking myself, 'why is everything so hard?'"

January 15, 2006
PARK CITY '06: Ryan Fleck: "...It came out of a frustration with wanting to change the world but not having any idea where to start."

January 15, 2006
PARK CITY '06: Christian Frei: "A documentary never starts with an idea. It starts with something 'real' happening."

January 14, 2006
PARK CITY '06: Joseph Mathew: "I learned how to just hang out and let the story come to me."

January 13, 2006
PARK CITY 'O6: Andrucha Waddington: "Since the film takes place over 59 years...we made a tough decision to shoot the film chronologically"

January 12, 2006
PARK CITY '06: Paul Fitzgerald: "Ultimately the biggest challenge...was just overcoming my self-doubt that I could do this..."

January 12, 2006
PARK CITY '06: "It was... a challenge to tell an engaging story about our interaction with the rest of the world..."

January 11, 2006
PARK CITY '06: Henriette Mantel & Stephen Skrovan: "I was so sick of people yelling at me about Ralph without having all the information."

January 11, 2006
PARK CITY '06: Christoffer Boe: "I liked movies so much that they became an obsession. I am still trying to kick the habit."

January 10, 2006
PARK CITY '06: Joey Lauren Adams: "I couldn't stand the idea of someone else interpreting the story..."

January 10, 2006
PARK CITY '06: Luc Schaedler: "Making documentaries I found my personal way of expressing political, social and aesthetic ideas"

January 9, 2006
PARK CITY '06: Steven Bognar & Julia Reichert: "...You have to know WHY you want to make films, the rest then flows."

January 9, 2006
Park City '06: Cho Chang-ho: "I think we're creating all the time in some way... creating is life itself, everything is a challenge toward creation"

January 8, 2006
PARK CITY '06: Jeff Lipsky: "...That's when my life with films began in earnest. I'd just experienced an epiphany."

January 8, 2006
PARK CITY '06: Steven Ascher & Jeanne Jordan: "For better or worse, we made these films the way we wanted to..."

November 21, 2005
Ten Months After A Sundance '05 Debut, Duplass Brothers Keep Driving "The Puffy Chair"