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Brad Pitt

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    Studios Get Tough; Sony Puts Moneyball in Play

    In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error...

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    Studios Gets Tough; Sony Puts Moneyball in Play

    In the overall scheme of things, a $57-million budget is pocket change to a studio, especially a big-spender like Sony. So why would Sony chairman Amy Pascal risk alienating a star like Brad Pitt and a director like Steven Soderbergh by pulling the plug on baseball movie Moneyball hours before it was to start shooting? She's sending a message to Hollywood, loud and clear. She's asserting her power to just say no. Finally, in this economy, the studios are spending less on fewer available slots. That's also what Brad Grey is signalling at Paramount by ditching production execs John Lesher and Brad Weston: he's saying, "There's no room for error...

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    Swedish Trilogy on Tarantino/Pitt Wish-List?

    So far, with the exception of Jackie Brown (based on an Elmore Leonard novel) Quentin Tarantino has preferred to direct and write originals. While he has exec-produced a few things and been tempted by the odd Speed Racer or James Bond, he has never rarely succumbed to adaptation temptation.

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    Cannes: Winners and Losers

    Who came out ahead and behind on their Cannes jaunt this year?

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    Tarantino Update

    In my interview with Quentin Tarantino, he admits that he plans to go back to the editing room with Inglourious Basterds this June. He rushed the movie, getting it done in less than a year to make Cannes, and delivered a cinephile's fantasy:

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    Inglourious Basterds: Tarantino Talks

    As Cannes wound down, writer-director Quentin Tarantino sat down for an interview about his long-awaited World War II opus, Inglourious Basterds. We talked about issues of structure, length and purpose:

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    Cannes: Brangelina, Carrey and Pattinson Hit Croisette

    Wednesday night some badly needed star power arrived on the Croisette for the opening night of Quentin Tarantino's Inglourious Basterds. Brad Pitt did the press rounds during the day, and showed up at the black tie premiere with Angelina Jolie on his arm. Later they had a great time at the Basterds ...

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    Tarantino's Inglourious Basterds Plays Cannes

    Nowhere but Cannes would 2500 media urgently assemble in one place to see a movie at 8:30 AM. As Quentin Tarantino himself said at the jam-packed Inglourious Basterds press conference, "There's no place like Cannes for filmmakers on the face of the earth. It's Cinema Nirvana during this time here on the Riviera. Cinema matters. It's important. Even when people boo --out of passion--it's not just images glazing over you. All the world film press on the planet earth, America, Finland, Iceland, Greenland, even Canada--that's a country--something about them all being here, you drop the movie--bam!--at once everyone weighs in at the same time...I'...

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    Tarantino Hypes Inglourious Basterds on American Idol

    Tuesday night, American Idol mentor Quentin Tarantino returned to the show sporting a Nazi haircut. Needless to say he didn't miss a chance to hype his World War II action epic set to debut at Cannes, Inglourious Basterds, with new footage. Here's the clip featuring Brad Pitt and Mike Myers as a Br...

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    Inglourious Basterds: Vanity Fair Photo Gallery

    Vanity Fair has posted a glorious photo gallery of shots by Brigitte Lacombe taken on the set of Quentin Tarantino's new movie Inglourious Basterds--which I cannot wait to see at Cannes. Enjoy.

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