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Martin Scorsese

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    Boardwalk Empire Season 2 Review - Nucky Nosferatu

    As its second season begins, David Chute finds that he admires Boardwalk Empire but does not love it.We took it as a sign during Boardwalk Empire’s first season that the show’s fabulously expensive exterior and interior sets never felt lived in. Compare Boardwalk’s boardwalk, a beautiful sweep of CG...

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    Geeking Out with Cameron at the 3D Summit: Titanic, Avatar, Theme Parks

    This week, in his Immersed in Movies column, Bill Desowitz talks to James Cameron at the 3D Summit. Don't try to convince James Cameron that 3-D is faltering. He's still a true believer, despite some recent 3-D blowback. He laughed if off as growing pains and negative media spin at the 3D Entertainm...

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    Toronto Wrap: Best of Fest, Oscar Boosts, Winners and Losers

    The trick with the fall film festivals is to gauge expectations going in vs. what was actually achieved. Various distributors launched their fall slates, and watched with pleasure or horror at how their movies were received by audiences and critics. Oscar contenders either moved forward in the award...

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    Albert Brooks Talks Drive, Comedy as Anger, Tweeting and Stanley Kubrick

    People often underestimate how good comedians can be as actors. Who knew Albert Brooks could play dark? Revered by a cadre of loyal followers for his riotous passive-aggressive romcom protagonists, Brooks’ turn as gangster Bernie Rose in Nicolas Winding Refn’s Drive dumbfounded many critics, who gav...

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    Fall/Holiday Preview: Five Glorious VFX Films to Watch, None Set in Present

    Bill Desowitz lists five VFX films to watch this fall and winter season, and the reasons why:With all due respect to the highly-anticipated The Twilight Saga: Breaking Dawn-- Part 1 and Mission: Impossible-- Ghost Protocol, in which Edward and Bella and Tom Cruise's Ethan Hunt spiritually go to hell...

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    In the No, Run-Up to Telluride: The Show from Swinton and Clooney to Veloso and Waters

    We have several folks covering festivals this year--David Gritten and The Playlist are in Venice while Meredith Brody and I are in Telluride--along with Eugene Hernandez, who's covering for indieWIRE. Here's Meredith's first missive:Part of the appeal and the mystique of the Telluride Film Festival,...

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    Another Trip to the Moon with Méliès: Behind the Digital Restoration of VFX Landmark

    While waiting for Hugo (Nov. 23), Martin Scorsese's 3-D valentine to Georges Méliès, TOH columnist Bill Desowitz writes a fascinating account of how digital advances made possible the painstaking restoration of the first movie blockbuster from the father of special effects, A Trip to the Moon (1902)...

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    Oscar Talk: Venice and Telluride, Carnage, Ides of March, W.E., Contagion, The Artist

    In Contention's Kris Tapley is here in Telluride with me, while Guy Lodge is in Venice. We all got on Skype for this week's Oscar Talk, which delves into early reaction to Venice titles from George Clooney (The Ides of March), Madonna (W.E) and Roman Polanski Carnage and a movie Kris and I saw in L....

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    Oscar Talk: From The Help, Rise of the Apes and Woody to the Fall Fest Circuit and Beyond

    Oscar Talk is back. The first podcast of the fall season with In Contention's Kris Tapley runs for a good hour, so gird your loins, Oscar mavens, listen and weep. We cover the Cannes films, the summer releases, the Fall Festival entries and the end-of-year possibilities. We talk Meryl and Glenn and ...

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    Meirelles' 360 To Open London Film Festival, What Will Close?

    Fernando Meirelles’ 360 will be the opening night film at the 55th BFI London Film Festival, which will be the last under the stewardship of artistic director Sandra Hebron. Meirelles has history with the LFF – The Constant Gardener opened the festival in 2005 – although many Brit pundits had been expecting Hebron to unveil a world premiere to crown her final year. But that’s never been a major motivation for the LFF’s extremely popular head when it comes to programming Europe’s largest non-competitive film festival. Although the 2009 festival opened with a splashy world premiere for The Fantastic Mr. Fox, last year’s LFF debutante was Never ...

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