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    Berlin Review: Fruit Chan's Post-Apocalyptic 'The Midnight After' Is a Wry Satire That Demands Your Attention

    Hong Kong's densely populated metropolitan society is the on the verge of sliding into chaos, or at least that's the tantalizing possibility explored in wry allegorical terms by director Fruit Chan in his erratic but entertaining post-apocalyptic satire "The Midnight After."

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