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    SFIFF 54: Wrapping Up the Fest, Days 13-15: The Arbor, Bromberg, Let The Wind Carry Me, Winners, Etc

    Meredith Brody wraps up SFIFF 54 and the many films of days thirteen, fourteen and fifteen:After the San Francisco International Film Festival’s second weekend, I feel like the toboggan is slowing down before it crosses the finish line. Day Thirteen, for example: joining Creative Director Miguel Pe...

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    SFIFF 54: Day Twelve: Tilva Rosh, Hands Up, Ulysses and the Tindersticks do Claire Denis

    On day 12 of the San Francisco International Film Festival, Meredith Brody reports back on her French triple bill (Hands Up is the stand out), Tilva Rosh, Ulysses, and finishes the day off right with English rock/jazz band Tindersticks playing excerpts from their film scores for Claire Denis movies....

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    SFIFF 54 Day Eleven: Film Fest Instructor's Guidebook, Hands Up, Something Ventured, Bin Laden

    On day eleven of the San Francisco International Film Festival, Meredith Brody talks Hands Up (a "kind of a Bizarro-world Disney film"), Citizen Kane, Something Ventured and its billionaires, and The Salesmen (which she tries tricking herself into liking by thinking of Jeanne Dielman). At the end of...

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    SFIFF 54 Day Ten: Dog Day Afternoon, Cinema Komunisto, James Woods, Making Friends with Books

    On day ten of the San Francisco International Film Festival, Meredith Brody talks Dog Day Afternoon, sees and loves Cinema Komunisto, digresses on James Woods (among other things) and makes friends via Bossypants and Chekhov's short stories:I start the day by watching as much of the program honoring...

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    SFIFF 54 Day Nine: Terence Stamp, Toby Dammit, Foreign Parts, Black Bread, Frank Pierson

    On day nine of the San Francisco International Film Festival, Meredith Brody starts small and winds up enthralled by the enduring allure of Terence Stamp. Odd and thrilling to watch a tiny movie, shot by a two-person crew, about nearly-invisible lives and occupations, on the biggest screen in the Ka...

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    SFIFF 54 Day Eight: The Redemption of General Butt Naked, Sound of Noise, Pink Saris, Master Critic

    San Francisco cinephile Meredith Brody continues to cut a swath through the SFIFF programme: Cheerful way to start the day: watching a famed “General” of the unbelievably brutal 14-year Liberian civil war, known as General Butt Naked for the attire (or lack thereof) of himself and his followers, met...

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    SFIFF 54 Day Seven: A Useful Life, Oliver Stone Tribute, The Last Buffalo Hunt, Attenberg

    Meredith Brody's diary entry for SDIFF day seven: The film-going day begins with inserting a DVD into the player, which I guess means staying rather than going. It’s A Useful Life, a film directed by a former employee of the Cinemateca Uruguaya, Federico Veiroj, about a longtime employee of the Cine...

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    SFIFF 54 Day Six: The Mill on the Cross, Hot Coffee, Hahaha, The Sleeping Beauty, Leonard Cohen

    Meredith Brody reports on the latest festival screenings from San Francisco:

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    SFIFF 54 Day Five: Time Travel, from Cave of Forgotten Dreams to Children of the Princess of Cleves

    Meredith Brody reports on the latest festival screenings from San Francisco:The Frenchwoman who introduced Children of the Princess of Cleves gave us an invaluable bit of information that cast the film in an interesting light. President Nicolas Sarkozy said that reading the required “Princess of Cle...

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