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    Give Up the Ghost: Milcho Manchevski’s “Shadows”

    by Michael Rowin on January 29, 2009

    [An indieWIRE review from Reverse Shot.]

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    Grindhouse: Brillante Mendoza’s “Serbis”

    by Indiewire on January 28, 2009

    [An indieWIRE review from Reverse Shot]

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    Living for the City: Barry Jenkins's "Medicine for Melancholy"

    by Michael Koresky on January 27, 2009

    The structure of Barry Jenkins's "Medicine for Melancholy" allows for a terrific twist right off the bat. Like many other modestly budgeted American indies, Jenkins's film follows two people getting to know each other, as they wander an expressive cityscape, over the course of one day -- aloofness g...

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    Portraying Chaos: Ondi Timoner's "We Live In Public" (Sundance '09)

    by Eric Kohn on January 26, 2009

    According to documentarian Ondi Timoner, Josh Harris -- the Internet pioneer at the center of "We Live in Public" -- didn't mind revealing the more twisted aspects of his web-fueled career. "I don't care how you portray me," he said, "as long as you make a great film."

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    24 Sundance '09 Snapshot Reviews

    by Eric Kohn on January 25, 2009

    EDITORS NOTE: Below are a series of snapshot reviews provided for indieWIRE by film critic Eric Kohn, offering first looks at the films being shown at the 2009 Sundance Film Festival.

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    Youth Rebellion: Cary Joji Fukunaga's "Sin Nombre" (Sundance '09)

    by Eric Kohn on January 24, 2009

    At different times, "Sin Nombre" is a harsh coming-of-age tale, a gripping man-on-the-lam thriller, a social drama, a road movie, and a love story. Sometimes, it's all of those things. That's not to say the first feature written and directed by Sundance Lab alumnus Cary Joji Fukunaga suffers from an...

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    Bad Trip: Olly Blackburn’s “Donkey Punch”

    by Michael Koresky on January 23, 2009

    [An indieWIRE review from Reverse Shot.]

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    A Tender Urban Love Story Grows During 9/11: 'Don't Let Me Drown" (Sundance '09)

    by Steve Ramos on January 21, 2009

    Other independent dramas use the aftermath of the 9/11 terrorist attacks as emotional background but few with the skillful subtlety as first-time director Cruz Angeles in "Don't Let Me Drown." While primarily a young love story, arguably the most overly familiar of movie genres, "Don't Let Me Drown,...

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    An Engaging Portrait of Obsession: Robert Siegel's "Big Fan" (Sundance '09)

    by Eric Kohn on January 21, 2009

    A comic formula wrapped in lonely sentiments, Robert Siegel's "Big Fan" is an engaging portrait of obsession. Siegel, the former editor of "The Onion," wrote "Big Fan" several years ago while attempting to launch his screenwriting career; the darkly humorous story of a New York Giants aficionado cau...

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    Chancy, Over-The-Top 'Vicious Kind' is a Mixed Success (Sundance '09)

    by Peter Knegt on January 21, 2009

    Risky material matters more than the skilled technique and earnest performances throughout writer/director Lee Toland Krieger's battling brothers drama "The Vicious Kind." Granted, all the core ingredients of a quality dysfunctional family drama are here: family conflict, violence, sexual impropriet...

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