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    REVIEW | Aftermath: Jasmila Zbanic's "Grbavica: Land of My Dreams"

    by Michael Rowin on February 13, 2007

    Jasmila Zbanic's feature debut, "Grbavica: Land of My Dreams" is unpretentious enough to address its subject matter, the shattered lives of postwar Bosnia-Herzegovina, with serious, grounded realism, but it's also too unimaginative to think of its central mother-daughter struggle in anything but the...

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    REVIEW | A Wink and a Smile: Daniele Thompson's "Avenue Montaigne"

    by Nick Pinkerton on February 11, 2007

    I doubt that anyone will ever match the balanced stridency and sentimentality that Jonathan Richman's song "Give Paris One More Chance" manages as a bursting, corny catalog of everything right about "the home of Piaf and Chevalier," but "Avenue Montaigne" takes a crack. The film's helmed by Daniele ...

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    REVIEW | Echo Chamber: Nina Toussaint and Massimo Iannetta's "The Decomposition of the Soul"

    by Michael Rowin on February 8, 2007

    In Nina Toussaint and Massimo Iannetta's documentary "The Decomposition of the Soul" two ex-inmates of Berlin-Hohenschonhausen, one of the most infamous Stasi prisons of East Germany, revisit the site of their incarceration. Sigrid Paul was arrested for harboring escapees from the Soviet zone, and o...

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    REVIEW | I Spy: Florian Henckel von Donnersmarck's "The Lives of Others"

    by Chris Wisniewski on February 8, 2007

    Curiously - or perhaps not - the four decades of economic hardship and political oppression endured by the citizens of the former German Democratic Republic have, in the years since reunification, given way to "Ostalgie," a pervasive nostalgia for life in the GDR (see, as an example, Wolfgang Becker...

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    REVIEW | More Tales of the City: Maria Maggenti's "Puccini for Beginners"

    by Nick Pinkerton on January 31, 2007

    Allegra (Elizabeth Reaser) is a thirtyish lesbian author living the sanitary, Whole Foods la vie de boheme of sitcomized contemporary Manhattan. Having just been dropped by a long-term girlfriend over commitment issues, she doubly rebounds - into both sweet, pie-faced Grace (Gretchen Mol) and of all...

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    REVIEW | The Road to Hell: Philip Haas's "The Situation"

    by Kristi Mitsuda on January 31, 2007

    Let's just get the nod to its good intentions out of the way from the start: Providing a window onto the U.S.-occupied chaos of Iraq - this country's first narrative film to do so - "The Situation" strives mightily to put a human face on Iraqis forgotten by mainstream media reports and documentarie...

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    REVIEW | The Principles of Uncertainty: Henriette Mantel and Steve Skrovan's "An Unreasonable Man"

    by Michael Rowin on January 31, 2007

    The success of the 2006 midterm elections may have tempered Democrats' long-held grudge against Ralph Nader, but "An Unreasonable Man" is set to reopen the nasty wounds left from his quixotic 2000 presidential campaign, when several hundred votes for the Green Party candidate arguably cost the Dems ...

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    REVIEW | Back in the Saddle Again: David Von Ancken's "Seraphim Falls"

    by Nick Pinkerton on January 31, 2007

    It begins with a gunshot, as from a starter's pistol, and the race is on. Gideon (Pierce Brosnan) - heavily bearded, feral from chase - is pursued across a frozen landscape by the steady, vengeance-driven Carver (Liam Neeson) and his posse. Motives stay opaque; Carver's gang churns through the snow ...

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    PARK CITY '07 REVIEW | The Girl Couldn't Help It: David Stenn's "Girl 27"

    by Indiewire on January 29, 2007

    My favorite David Stenn book is "Bombshell: The Life and Death of Jean Harlow," a wonderful look at Hollywood's first blonde sex symbol and the dark and tragic circumstances regarding her too-short life. Insights about early Hollywood, sex scandals and ruthless exploitation by studio executives are ...

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    PARK CITY '07 REVIEW | New York Shuffle: Alfredo de Villa's: "Adrift in Manhattan"

    by Indiewire on January 29, 2007

    The intersecting lives that amble throughout "Adrift in Manhattan," director Alfredo de Villa's good-natured but forgettable New York street life drama include a young Latino named Simon (Victor Rasuk) who snaps photographs of just about everyone he meets. One person in particular captures his atten...

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