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Movie Reviews

  • Indiewire
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    Critical Consensus: Joshua Rothkopf and Jason Zinoman on 'Cabin in the Woods' and Modern Horror

    Joshua Rothkopf, the Senior Film Writer for Time Out New York and current chair of the New York Film Critics Circle, and Jason Zinoman, a contributor to The New York Times and author of the recent "Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood and Invented Modern...

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  • Thompson on Hollywood
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    'The Walking Dead' Team Talk Zombie Horror at NAB: "I Do Want to Find Out What the Limit Is"

    How far can they go with gore and violence? “It’s really awesome that AMC is bold enough to put just about anything up there,” said Kirkman, “But I do want to find out what the limit is.”

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  • The Playlist
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    Review: 'Goodbye First Love' Looks At Young Romance Without Affection

    Television and movies love to indulge us in pre-adulthood nostalgia. Whether the bait is loose (young hooligans causing a ruckus) or more specific and event-oriented (prom, which we've seen less of lately because, well, prom sucks), the powers that be tug at our heartstrings and force us to look...

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  • Shadow and Act
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    Thoughts on TD Jakes' "Woman Thou Art Loosed: On The 7th Day" By Kia Barbee

    Screenwriter Kia Barbee (@kiabarbee) from Elmhurst Entertainment, an occassional S&A contributor and avid reader, agreed to give us some of her thoughts in this short review of TD Jakes' Woman Thou Art Loosed: On The 7th Day, co-written and directed by Neema Barnette.

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  • Thompson on Hollywood
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    Now and Then: Werner Herzog's Matters of Life and Death

    Paranoia has long been Werner Herzog's preferred tropic, morbidity his comfort zone. His films brim with self-inflicted wounds, crazed schemers, and ruinous hubris. "Into the Abyss" is different; it shifts the frame. We have seen the enemy, and he is us.

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  • Indiewire
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    'The Day He Arrives' and 'Oki's Movie' Are the Paragons of Hong Sang-Soo's Filmmaking

    "Not many people have seen my films," says the impulsive filmmaker at the center of "The Day He Arrives," the characteristically rambling character study from Korean director Hong Sang-soo. In one of many cases where art imitates life in a Hong movie, Seongjun's complaint reflects the general unfami...

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  • Thompson on Hollywood
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    Sex & the Gritty: Lena Dunham's 'Girls' Pilot is Coarse, Sensitive, and Promising

    The most compelling aspect of Lena Dunham's HBO series "Girls" is a tone and spirit that balances sincerity and satire. When the goofy protagonist Hannah (Dunham) proclaims in the first scene that she is "busy trying to become who I am," the series arrives with a strong, clear voice.

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  • Thompson on Hollywood
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    'Mad Men' Episode 5 Review and Recap: In 'Signal 30,' Pete and Lane Throw Feeble Punches at Despair

    In Sunday's all-new "Mad Men" episode, death and despair continue to seep into the big picture. But in the midst of sniper shootings, highway crashes and men who "have nothing," is there a faint signal of hope?

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  • Thompson on Hollywood
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    Best of TOH Week That Was: In the Works, Fests, Interviews, Tarantino Updates, and Woody Allen Comes Home

    Weekend movie guide: We recommend "The Cabin in the Woods" (our review here) and "The Lady" (Weekend Preview). For something more retro, Immersed in Movies reviews the restored "Two for the Road" (which will debut at TCM Classic Film Fest). For a thoughtful Foreign Oscar nominee, try "Monsieur Lazh...

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  • Thompson on Hollywood
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    'Justified,' and 'Southland' Finales: Meet Hardboiled Director Don Siegel

    Watching the final few episodes of "Justified" (which ended its season this week) as well as "Southland" and the more pretentious "The Killing," I found myself thinking about Don Siegel, the mid-century hardboiled director whose films epitomized an unpretentious, corrosive vein of American cinema.

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