Putting the nature and quality of his films aside for the moment, Lars von Trier, the jolly sadist Danish director and writer, is simply useful to have around. Like a brash, needling party guest, he starts conversations. Less committed interrogator than pathological provocateur, his films demand r...
Read More »Though it's far from the "first gay slasher film," as it has been momentously touted (hello? "A Nightmare on Elm Street 2: Freddy's Revenge" anyone?), Paul Etheridge-Ouzts's "HellBent" might be the first horror movie that's quite so unapologetically gay-friendly. Serial killer films have been chocka...
Read More »To include Olivier Ducastel and Jacques Martineau among France's best-unsung contemporary filmmakers would probably be a bit of a hyperbolic stretch. Yet in the interest of making someone sit up and take note, I'll dare to do just that. Wearing their big-hearted generosity perhaps a bit too much on ...
Read More »We'd prefer not to have to once again go over the corrosive specifics of the summer's oft puzzled-over "summer slump." But with its projected "whopping" 9% drop from 2004's box-office totals and 11.5% decline in attendance, what are we supposed to do in response? Suddenly decry the paucity of strong...
Read More »Andre Techiné's "Wild Reeds," still as urgently humane now as when it was released in 1995, has bestowed quite a legacy upon the new generation of French filmmaking. That film's psychosexual and political tangles have slowly but surely created tendrils that have reached all the way through an...
Read More »Quentin Tarantino doesn't make nearly enough movies. Thank heavens for Park Chan-wook. The first installment of Mr. Park's "Revenge Trilogy," "Sympathy for Mr. Vengeance," opens this week following, in reverse order, the surprise U.S. art-house success of his second entry in the series, "Oldboy." If...
Read More »For all the critics lamenting the turn to all-style/no-substance MTV aesthetics, former music video veteran Marcos Siega's "Pretty Persuasion" could have done well with a stylistic shot in the arm. Producing deft, relevant social satire is tricky enough without leaden direction weighing it down, esp...
Read More »Having moved away from my small New England suburb to New York City many years ago, I have noticed, with each returning visit, my perspective on my childhood home further evolving into something mysterious and ineluctably specific. It's not just a matter of aging or nostalgia; there's a sense of dee...
Read More »Fashion Victim: Jun Ichikawa's "Tony Takitani"
Read More »Dirty Pretty Things: Michael Winterbottom's "9 Songs"
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ISA of the Day: @OndamaxFilms via @indiewire http://t.co/151woV5NDv
Posted 24 minutes ago
RT @TribecaFilmIns: Congrats to @LikeMeFilm on winning @Indiewire's April Project of the Month. They'll now get consultation from us: http://t.co/mrrr9QPFWt
Posted 41 minutes ago
RT @indiewire: FRANCES HA has stellar debut at indie box office; PINES hits $20 million: http://t.co/tY2bd74O8B
Posted 56 minutes ago
And the Maestro is back! Alejandro Jodorowsky's THE DANCE OF REALITY. http://t.co/2SkqQkRAyv thanks to @indiewire
Posted 1 hour ago