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Movie Reviews

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    SXSW '12 Review: 'Sun Don't Shine' Is A Watercolor Wisp Hybrid Of An Indie Relationship Pic & Murder Mystery Movie

    Early on in Amy Seimetz’s “Sun Don’t Shine,” it becomes very clear that this isn’t just your average young-white-couple-with-relationship-problems-on-a-road-trip indie flick that we can come to expect from festivals like SXSW. Oh, Crystal and Leo have problems alright. And a bad relationship. And a ...

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    SXSW '12 Review: 'Sunset Strip' Is A Definitive History & Tribute To The Famed Street That Loses Sight Of Its Purpose

    For most, the phrase “Sunset Strip” conjures up images of neon lights, sun-kissed exposed skin and long, druggy, rock and roll fueled nights. This is the conceit promised by the new documentary of the same name by Hans Fjellestad, and it (mostly) delivers, offering up a definitive history of the fam...

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    SXSW '12 Review: 'Beware Of Mr. Baker' Is A Rollicking, Dangerous & Ultimately Transcendent Ride With Cream Drummer Ginger Baker

    This year’s SXSW had a few strong themes running throughout its selections, and in the documentary category, this was seen in the numerous films about '70s rock icons such as “Paul Williams: Still Alive,” “Marley,” the preview of “Big Star: Nothing Can Hurt Me...

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    SXSW '12 Preview: 'Big Star: Nothing Can Hurt Me' Looks To Be A Fitting Tribute, Memorial & Education About One of Rock's Cult Acts

    Last week during SXSW, director Drew DiNicola gave an excited Austin audience a preview of his work-in-progress film “Big Star: Nothing Can Hurt Me,” before a star-studded tribute concert to the beloved cult band Big Star. It was an appropriate environment for the sneak peek, as SXSW 201...

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  • The Playlist
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    Counterpoint Review: 'The Raid: Redemption' Adds A Little Bit Of Steroids To The Same Martial Arts Film You've Seen Twice Before

    After much hype and love from the festival circuit, "The Raid: Redemption" begins rolling out into theaters this weekend. And while we saw the film at Sundance and called it a "triumph" not everyone at The Playlist office felt the same way. So here's a different take on the pulse pounding action fli...

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    Counterpoint Review: 'The Hunger Games' Is A Tired, Overlong Blockbuster Lacking Flair & Imagination

    With "The Hunger Games" arriving in theaters this weekend and expected to blow up the box office, early reviews have been very positive and anticipation has been running high. Our own review called it "an engaging, thoughtful, populist piece of entertainment that transcends gender, genre or source m...

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    SXSW '12 Review: 'Eden' Is A Gripping Sex Slavery Drama That Isn't As Dour As It Sounds

    Often the problem when making an "issue" movie, wherein you tackle some far-reaching social, systemic, or religious injustice, is that scope often becomes too burdensome, with the given topic often begging for thoughtful, intimate conversation and not the broad strokes that cinema offers. The best i...

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    'The Walking Dead' and Women: Bring On Andrea and Michonne

    For various scheduling reasons (Oscars, Sundance, SXSW), I wound up watching the final five episodes of "The Walking Dead" Season Two on Sunday, including the finale (review here). One of the things I hate about even the best reality television, from "Survivor" and "Project Runway" to "Top Chef" and...

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    How 'The Walking Dead' Became a Better Show By Tossing the Comic Book in the Flames

    [Warning: Spoilers for the season two of "The Walking Dead" and volumes two and three of the graphic novel below]

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    SXSW '12 Review: 'Citadel' Is A Sometimes Scary, Sometimes Silly Entry In the Hoodie Horror Sub-Genre

    Over the last few years an interesting subgenre has developed in British horror – dubbed "hoodie horror" by the press and named after the young, urban kids who wear hooded sweatshirts – these films were set primarily in England's low income housing "estates" and played up the fears of "Broken Britai...

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