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Movie Reviews

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    CANNES REVIEW | Sorrentino's "This Must Be the Place" Puts Sean Penn in an Embarrassing Position

    The issue with "This Must Be the Place," Italian auteur Paolo Sorrentino's first English language feature, has nothing to do with whether it makes light of the Holocaust. That might be a worthy debate if it didn't face other problems. Chief among them: An uber-campy Sean Penn performance, a gratingl...

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    CANNES REVIEW | With "Drive," Nicolas Winding Refn Puts Ryan Gosling in the Fast Lane

    If "The Fast and the Furious" franchise borrowed liberally from 1980s action tropes and ditched plot in favor of sheer speed, it would probably resemble the mad hustle of "Drive," Danish director Nicolas Winding Refn's thrilling foray into the Hollywood arena. Combing a memorably gritty Ryan Gosling...

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    CANNES REVIEW | Pedro Almodóvar's "The Skin I Live In" Is a Messy Medical Thriller

    Based on Thierry Jonque's novel "Tarantula," Pedro Almodóvar's "The Skin I Live In" is a medical revenge thriller about genre identity. It's also a meandering, tonally confused work. Teaming with Antonio Banderas for the first time in two decades and working with genre elements he hasn't touched in ...

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    CANNES REVIEW | Takashi Miike's 3-D "Hara-Kiri" Falls Short Of Its Bloody Potential

    In Japanese filmmaking machine Takashi Miike's loose adaptation of the 1962 "Hara-Kiri: Death of a Samurai," the best moments come at the end. A despondent samurai faces down the minions of a feudal lord, staging a ferocious battle for the memory of the relatives whose lives were lost to the lord's ...

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    CANNES REVIEW | Jafar Panahi Turns Censorship Into Art with Stunning "This is Not a Film"

    Jafar Panahi has taken risky circumstances and turned them into art. "This is Not a Film" delivers a sharp, measured critique of the conditions that now find him on his way to jail. A first-person account of the Iranian filmmaker at home awaiting news of his upcoming prison sentencing, it puts a hum...

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    With "Melancholia," Lars Von Trier Delivers a Dark Apocalyptic Masterpiece

    Editor's note: This review was originally posted as part of Indiewire's coverage of the 2011 Cannes Film Festival.

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    Critical Consensus: Woody's Cannes Opener "Paris" Is The Pick of a (Slow) Week

    As Cannes closes down its 2011 edition in the south of France, its opener is debuting Stateside. Woody Allen's "Midnight in Paris" is opening in limited release this weekend care of Sony Pictures Classics, and alongside Greg Jacobs and Jon Siskel's doc "Louder Than a Bomb" and Sundance 2010 alum "L...

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    CANNES REVIEW | Aki Kaurismaki's "Le Havre" Is a Deadpan Delight

    With its bouncy soundtrack, deadpan humor and good-natured disposition, Finnish director Aki Kaurismaki's "Le Havre" is an endearing affair. Combining his clownish storytelling with a life-affirming plot, Kaurismaki churns a fundamental scenario through his own unique narrative te...

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    CANNES REVIEW | Jailed Iranian Filmmaker Mohammad Rasoulof Delivers An Indictment With "Goodbye"

    With his fifth feature, "Goodbye," jailed Iranian filmmaker Mohammad Rasoulof delivers a suspenseful and moving portrait of modern censorship in the country that has currently placed him in its governmental crosshairs. Along with fellow Iranian filmmaker Jafar Panahi, Rasoulof has been sentenced to ...

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    Small Screens: indieWIRE's Top 5 Releases This Week

    This week Brad Anderson's ("The Machinist") latest creeps onto DVD/Blu-ray, a French classic thriller gets the Criterion treatment, a terrifying one-shot wonder hits VOD and a bunch of Pakistani slackers grow up the hard way.

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