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Movie Reviews

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    REVIEW | "Superbad" Meets "Fight Club": "Revolt" Hints At Cera's Versatility

    "Youth in Revolt" stars Michael Cera as a hyper-intelligent 16-year-old virgin desperate to escape his bubble of a boring life. If that description sounds familiar, it's because the "Arrested Development" star has done this routine before. But he does it well, and this charming romantic comedy offer...

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    Great And Not-So-Great Movies...

    At year’s end it’s traditional to look back and make Ten Best Lists. The problem is that in the flurry of award season—and its attendant hype—one tends to forget how many mediocre films have come and gone, or how many months there seemed to be nothing worth going out to se...

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    Boris Karloff Tales Of Mystery, Volume One:

    DARK HORSE ARCHIVES; Introduction by Sara Karloff In 1960, Boris Karloff was recruited to host a weekly anthology show called Thriller. It was an obvious attempt to emulate the success of a not dissimilar show hosted by another movie figure with a “brand name,” Alfred Hitchco...

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    REVIEW | Back to Tennessee: Jodie Markell's "The Loss of a Teardrop Diamond"

    First-time filmmaker Jodie Markell's "The Loss of a Teardrop Diamond," is based on a never-produced Tennessee Williams screenplay completed during his late 1950s heyday. Yet, surprisingly, the film's pedigree and source material isn't the sole reason to recommend this decades-late cinematic renderin...

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    REVIEW | Does It Take This Village? Haneke's Artful "Ribbon"

    Despair haunts every moment of Michael Haneke's "The White Ribbon." The director's dour, Bergmanesque black-and-white portrait of enigmas and familial discord in a Protestant German village at the beginning of the twentieth century peddles in the art of downbeat expressionism. Pairing visual master...

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    REVIEW | Lingua Romania: "Police, Adjective" Makes for Arresting Tour-De-Force

    While the pay-off in this anti-police procedural comes very late, it caps a minimalist and sardonic tour-de-force from Corneliu Porumboiu, whose "12:08 East of Bucharest" won the award for best first film at Cannes in 2006. This worthy follow-up shows an even more discerning and confident eye from t...

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    REVIEW | Low on Luster, Gilliam's "Imaginarium of Doctor Parnassus" Winds up a Sideshow

    Marred by shoddy special effects and half-formed fantastical conceits, Terry Gilliam's "The Imaginarium of Doctor Parnassus" has the feeling of a comic fantasia desperately seeking to find its rhythm. Nearly abandoned after the sudden death of leading man Heath Ledger prior to completing production ...

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    REVIEW | Flight of Fancy: François Ozon’s “Ricky”

    “Ricky,” the latest film by François Ozon to receive release in the United States, is so chock full of tonal and generic shifts that it makes for a handy little guide to its French director’s scattershot career. Opening with a punishing long-take close-up of young mother Katie (Alexandra Lamy) cryin...

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    REVIEW | Figurines in a Landscape: Stephane Aubier and Vincent Patar’s “A Town Called Panic”

    The joy of watching “A Town Called Panic” lies in its uncanny evocation of adolescent invention. It’s an overturned toy box of a movie, complete with mismatched action figures, improvisatory effects, and stream-of-consciousness storytelling. It invites you to plop down on the shag carpet, ignore you...

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    criticWIRE This Week: "Nine," "Heart" and "Victoria" Hit Screens

    This week, Rob Marshall's "Nine," Scott Cooper's "Crazy Heart," and Jean-Marc Vallée's "The Young Victoria" will each open in limited release in an attempt to prove a viable alternative to the wide opener "Avatar." To make your decision as to which option might be your best bet (that is, if you fi...

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