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    Leap of Faith: Darren Aronofsky's "The Wrestler"

    by Peter Knegt on December 18, 2008

    [An indieWIRE review from Reverse Shot.]

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    So Help Me God: Rod Lurie's "Nothing But the Truth"

    by Peter Knegt on December 17, 2008

    [An indieWIRE review from Reverse Shot.]

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    Lady and Ghent: Christophe Van Rompaey's "Moscow, Belgium"

    by Leo Goldsmith on December 15, 2008

    [An indieWIRE review from Reverse Shot.]

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    Someone to Watch Over Me: Jose Luis Guerin's "In the City of Sylvia"

    by Nick Pinkerton on December 11, 2008

    "In the City of Sylvia," Jose Luis Guerin's odyssey of perception, is so dedicated to getting inside the act of cosmopolitan female-watching, it might as well be called "City of Women." Alert, feline-eyed Xavier Lafitte is a quiet young flaneur and diarist, an enigmatic figure introduced at loose en...

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    Travel Plans: Nacho Vigalondo's "Timecrimes"

    by Michael Rowin on December 10, 2008

    [An indieWIRE review from Reverse Shot.]

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    Blues Clueless: Rachel Samuels's "Dark Streets"

    by Eric Hynes on December 10, 2008

    [An indieWIRE review from Reverse Shot.]

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    The Play's the Thing: John Patrick Shanley's "Doubt"

    by Chris Wisniewski on December 9, 2008

    On paper, John Patrick Shanley did everything right in bringing his Pulitzer Prize-winning play "Doubt" to film. He adapted the screenplay and directed himself, assembled a cast with 17 Oscar nominations to their collective credit, and brought in the extraordinary cinematographer Roger Deakins. Give...

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    Mad Dog: Paul Schrader's "Adam Resurrected"

    by Eric Hynes on December 8, 2008

    There's no joy to be had in enumerating the shortcomings of "Adam Resurrected," an ambitious and long gestating adaptation of a much-admired novel by Yoram Kaniuk. But in most respects the film just doesn't click: tone stumbles and fumbles meaning, dialogue meanders above uneven visuals, and scenes ...

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    REVIEW | Life on the Margins: Kelly Reichardt's "Wendy and Lucy"

    by Kristi Mitsuda on December 8, 2008

    The Pacific Northwest on display in Kelly Reichardt's latest film isn't restorative, as in her lovely last, "Old Joy," the lust forests of which temporarily heal an ailing friendship; nor is the setting here milked for moody, romantic potential as in the recently released "Twilight." In "Wendy and L...

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    REVIEW | Stark Relief: Yen Tan's "Ciao"

    by Eric Hynes on December 3, 2008

    During a time when American independent cinema either grunts elliptically under moody skies or chatters banally cross-legged on the living room floor, the purposeful, probing dialogue in Yen Tan's "Ciao" feels like a throwback to an entirely different reality. When characters talk in "Ciao," they ar...

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