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    Cannes: Why 'Inside Llewyn Davis' Isn't the Minor Coen Bros. Movie It Looks Like

    by Eric Kohn on May 18, 2013

    "That's a folk song," says Llewyn Davis (Oscar Isaac) in the opening scene of Joel and Ethan Coen's aptly titled "Inside Llewyn Davis." One could usually make a similar pronouncement about the Coen brothers' usually eccentric works -- yep, that's a Coen movie, folks -- but this one's a different sto...

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    MORE: Reviews, Cannes Film Festival, Inside Llewyn Davis, Oscar Isaac, John Goodman, Joel Coen, Ethan Coen
  • Thompson on Hollywood
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    Cannes Fest Diary 2: Dull Coppola, Brilliant 'A Touch of Sin'

    by Tom Christie on May 18, 2013

    I began the search for a room in Cannes quite late. I checked hotels.com, home to “Cheap Hotels, Discounts, Hotel Deals and Offers,” which is why I was a bit taken aback when my first offer was for a week at the Carlton for $52,000. What I wound up with was not quite the Carlton; it’s more of a bed ...

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    MORE: Cannes Film Festival, The Bling Ring, Sofia Coppola, Festivals
  • The Playlist
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    Cannes Review: 'A Touch Of Sin' Sees Jia Zhang-ke Change Things Up, With Peculiar, Bloody Results

    by Jessica Kiang on May 18, 2013

    Ooh-ed and aah-ed over, but largely in more arcane cinephile circles, Chinese director Jia Zhang-ke (Venice winner “Still Life,” Cannes 2012 doc ”I Wish I Knew,” “The World”) has made a name for himself to date with detailed, glacially paced, social realist films, often in the documentary tradition,...

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    MORE: Cannes Film Festival, Reviews, A Touch of Sin, Zhang Ke Jia, Review
  • Indiewire
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    Cannes Review: 'The Dance of Reality,' Alejandro Jodoroworsky's First Film in 23 Years, Is a Return to Form

    by Eric Kohn on May 18, 2013

    In the opening minutes of "The Dance of Reality," zany cult director Alejandro Jodorowsky's first movie in 23 years, the director appears onscreen reciting a poem that compares money to blood, Christ and Buddha, then equates death to consciousness and wealth. It's that wacky combination of evocative...

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    MORE: Reviews, Cannes Film Festival, Alejandro Jodorowsky, La Danza de la Realidad (The Dance of Reality)
  • The Playlist
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    Cannes Review: The Mind Heals The Soul In Meandering & Unsatisfying 'Jimmy P.'

    by Kevin Jagernauth on May 18, 2013

    If Freddie Quell came back from World War II as an unhinged animal, Jimmy Picard (Benicio Del Toro) is the polar opposite, an intensely quiet but no less wounded man, who is out of sorts in post-war America. But he is also a Native American, which brings to his life a whole set of experiences (espec...

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    MORE: Reviews, Review, Jimmy P. (Psychotherapy Of A Plains Indian), Cannes Film Festival, Benicio Del Toro, Mathieu Amalric
  • The Playlist
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    Cannes Review: 'Like Father, Like Son' A Tender, Loving Portrait Of Parenthood

    by Kevin Jagernauth on May 18, 2013

    How is being a parent defined? By your actions, or does the simple virtue of being related by blood automatically give you that title? Those questions and more lie at the core of "Like Father, Like Son," a tender and involving portrait by Kore-Eda Hirokazu that centers on two set of parents -- and o...

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    MORE: Hirokazu Koreeda, Like Father Like Son, Cannes Film Festival, Reviews, Review
  • Leonard Maltin
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    Greta's New Wave: Frances Ha

    by Leonard Maltin on May 17, 2013

    Noah Baumbach, who made an impressive directorial debut with "The Squid and the Whale," continues to blaze his own trail with an effervescent little film called "Frances Ha," which he wrote with its star, Greta Gerwig.

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    MORE: Film Reviews, Greta Gerwig, Noah Baumbach, Frances Ha, Indie Films
  • Thompson on Hollywood
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    Cannes Review: Ari Folman's Hybrid 'The Congress' Befuddles More than It Bedazzles

    by Tom Christie on May 17, 2013

    Ari Folman’s “The Congress” begins well enough, with the sheer physical presence of Robin Wright center screen, tears popping from her eyes. The actress, who in real life has aged gracefully into strength – or maybe it’s just bitterness -- plays “Robin Wright,” an aging actress who has made many “lo...

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    MORE: The Congress, Cannes Film Festival, Reviews, Festivals, Ari Folman, Robin Wright
  • ReelPolitik
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    In Defense of "Frances Ha": Why Middle-Class White Angst Is Angst, Too

    by Anthony Kaufman on May 17, 2013

    In some corners, Noah Baumbach's "Frances Ha" is getting lumped in with a certain cycle of mumblecore movies that focused on young white people with nothing to do with their lives except whining and having sex with each other. This is an oversimplification, of course. But because "Frances" stars tha...

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  • The Playlist
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    Cannes 2013: Kristin Scott Thomas Shines In Sizzle Reel Footage From 'Only God Forgives'

    by Jessica Kiang on May 17, 2013

    Finally from our roundup of tonight’s Weinstein Company 2013 preview reel (you can read about “The Immigrant” here and the rest of the movies teased here), and well, we’ve kind of saved the best for last. Or at least, the best received on the night. Nicolas Winding Refn’s “Only God Forgives” is with...

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    MORE: Kristin Scott Thomas, Only God Forgives, Cannes Film Festival, Reviews, Review

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