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Movie Reviews

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    REVIEW | Law & Order: Abderrahmane Sissako's "Bamako"

    When Hollywood's response to the myriad crises plaguing the African continent is to churn out well-meaning issue pictures that are little more than low-rent action narratives grafted onto exoticized, strife-ridden African settings (see: "Catch a Fire," "Blood Diamond"), films like "Bamako" become al...

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    REVIEW | In the Middle: Dalia Hager and Vidi Bilu's "Close to Home"

    A barely perceptible atmosphere of dread hangs over the Israeli film "Close to Home." Co-written and directed by Dalia Hager and Vidi Bilu, the film has an intimate, almost slight feel to it, and features two young protagonists who are mostly concerned with the rather banal business of early adultho...

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    REVIEW | Aftermath: Jasmila Zbanic's "Grbavica: Land of My Dreams"

    Jasmila Zbanic's feature debut, "Grbavica: Land of My Dreams" is unpretentious enough to address its subject matter, the shattered lives of postwar Bosnia-Herzegovina, with serious, grounded realism, but it's also too unimaginative to think of its central mother-daughter struggle in anything but the...

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    REVIEW | A Wink and a Smile: Daniele Thompson's "Avenue Montaigne"

    I doubt that anyone will ever match the balanced stridency and sentimentality that Jonathan Richman's song "Give Paris One More Chance" manages as a bursting, corny catalog of everything right about "the home of Piaf and Chevalier," but "Avenue Montaigne" takes a crack. The film's helmed by Daniele ...

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    REVIEW | Echo Chamber: Nina Toussaint and Massimo Iannetta's "The Decomposition of the Soul"

    In Nina Toussaint and Massimo Iannetta's documentary "The Decomposition of the Soul" two ex-inmates of Berlin-Hohenschonhausen, one of the most infamous Stasi prisons of East Germany, revisit the site of their incarceration. Sigrid Paul was arrested for harboring escapees from the Soviet zone, and o...

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    REVIEW | I Spy: Florian Henckel von Donnersmarck's "The Lives of Others"

    Curiously - or perhaps not - the four decades of economic hardship and political oppression endured by the citizens of the former German Democratic Republic have, in the years since reunification, given way to "Ostalgie," a pervasive nostalgia for life in the GDR (see, as an example, Wolfgang Becker...

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    REVIEW | More Tales of the City: Maria Maggenti's "Puccini for Beginners"

    Allegra (Elizabeth Reaser) is a thirtyish lesbian author living the sanitary, Whole Foods la vie de boheme of sitcomized contemporary Manhattan. Having just been dropped by a long-term girlfriend over commitment issues, she doubly rebounds - into both sweet, pie-faced Grace (Gretchen Mol) and of all...

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    REVIEW | The Road to Hell: Philip Haas's "The Situation"

    Let's just get the nod to its good intentions out of the way from the start: Providing a window onto the U.S.-occupied chaos of Iraq - this country's first narrative film to do so - "The Situation" strives mightily to put a human face on Iraqis forgotten by mainstream media reports and documentarie...

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    REVIEW | The Principles of Uncertainty: Henriette Mantel and Steve Skrovan's "An Unreasonable Man"

    The success of the 2006 midterm elections may have tempered Democrats' long-held grudge against Ralph Nader, but "An Unreasonable Man" is set to reopen the nasty wounds left from his quixotic 2000 presidential campaign, when several hundred votes for the Green Party candidate arguably cost the Dems ...

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    REVIEW | Back in the Saddle Again: David Von Ancken's "Seraphim Falls"

    It begins with a gunshot, as from a starter's pistol, and the race is on. Gideon (Pierce Brosnan) - heavily bearded, feral from chase - is pursued across a frozen landscape by the steady, vengeance-driven Carver (Liam Neeson) and his posse. Motives stay opaque; Carver's gang churns through the snow ...

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