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    SXSW REVIEW | Prankster Director Becomes Fake Guru In Controversial "Kumaré"

    In 2010, Indian-American filmmaker Virkam Gandhi went to Phoenix and invented a spiritual workshop from scratch. That's the premise of "Kumaré," a documentary that Gandhi assembled out of his experience, in which he created a fake spiritual guru, replete with heavy accent, far-out proclamations, and...

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    Small Screen (DVD/Blu-ray): "Waste Land," "The Fighter," 2 Criterion Releases & More

    This week on DVD and Blu-ray the Oscar-nominated doc "Waste Land" lands, two classics get the deluxe Criterion treatment and Clint Eastwood takes a journey to the afterlife .

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    SXSW REVIEW | SXFantastic Titles "Kill List" and "The FP" Bring Giddy Satisfaction

    SXSW is known for its rambunctious vibe, but nowhere is it wilder than in the SXFantastic section. A genre-heavy slate of five films programmed by Fantastic Fest and Alamo Drafthouse founder Tim League, this sidebar of midnight titles has quickly developed a reputation for crowdpleasers. (Last ...

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    SXSW REVIEW | Gay Romance "Weekend" Deserves Its SXSW Breakout Status

    Writer-director Andrew Haigh's British drama "Weekend" depicts a fleeting romantic encounter with delicacy and philosophical depth, but its chief appeal is simplicity. Revolving around a brief affair between two young men with vastly different perspectives on life, the film operates on a familiar dy...

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    SXSW '11 | indieWIRE's Reviews and the Best Links From Around The Web

    The 2011 SXSW Film Conference and Festival officially kicked off last week in Austin and the indieWIRE team has been on the scene to report on all the happenings at the event. Below find a list of indieWIRE's SXSW film reviews thus far, along with links to news and reviews posted by our friends at o...

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    Conan O'Brien and Kevin Gant Featured in Compelling SXSW Docs

    Two vastly different performers are at the center of documentaries at SXSW this year, although they share a common ground in the need to keep going at all costs.

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    SXSW REVIEW | Great Cast Can't Save a Weak Metaphor in "The Dish and the Spoon"

    It's only due to the formidable chemistry of its talented leads, Greta Gerwig and Olly Alexander, that writer-director Alison Bagnall's "The Dish and the Spoon" doesn't become an overindulgent acting exercise. Bagnall, screenwriter of "Buffalo '66" and the director of "Piggy," constructs a basic two...

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    SXSW REVIEW | Genre Goes Deep in "Attack the Block" and "The Innkeepers"

    Ti West's offbeat ghost story "The Innkeepers" and Joe Cornish's alien-invasion riff "Attack the Block" each benefit from a heavy measure of subtext. In West's semi-comic outing, a young woman's obsession with the apparent hauntings of the titular inn comes to represent her own lack of direction. Sh...

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    SXSW REVIEW | Is "Turkey Bowl" Director Kyle Smith the Next Robert Altman?

    "Turkey Bowl" is an admirably concise directorial debut from Kyle Smith in which a group of old college friends gather in a field for their annual touch-football game. (Winner gets the turkey.) Unfolding in real time, this disarmingly naturalistic comedy sticks to a single setting and rhythm for its...

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    SXSW REVIEW | Duncan Jones' "Source Code" Messes With Your Head and Your Heart

    Drawing on time-shifting concepts reminiscent of "Groundhog Day" and "Run Lola Run," Duncan Jones' "Source Code" inhabits the spirit of old-school sci-fi while effectively providing a measure of pathos. As he did in his prior film, "Moon," "Source Code" showcases Jones' ability to provide ample ente...

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