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    Vertical Disintegration: Matteo Garrone’s “Gomorrah”

    [An indieWIRE review from Reverse Shot.]

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    Eagerly Expressing The Obvious: Berlin Critic's Notebook

    Five days into the 2009 Berlinale, and amid grumblings of discontent from critics ("Twenty films so far," said one colleague, "and I haven't seen one thing I'd champion") and a pronounced lack of enthusiasm among buyers, one sensed a new tone to proceedings: if the program couldn't entertain us, the...

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    Sub-Par: Tykwer's "International" Opens Berlin With A Whimper

    It's a pretty easy equation, all things considered. "Opening Night film equals shite," muttered a British colleague, as we stood in the lobby of the Hyatt Hotel in Potsdamer Platz, about an hour before the first press screening at this year's Berlin Film Festival.

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    Multi-Dimensional: Henry Selick's "Coraline"

    [An indieWIRE review from Reverse Shot]

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    Scene It: Chiara Clemente's "Our City Dreams"

    [An indieWIRE review from Reverse Shot]

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    Give Up the Ghost: Milcho Manchevski’s “Shadows”

    [An indieWIRE review from Reverse Shot.]

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    Grindhouse: Brillante Mendoza’s “Serbis”

    [An indieWIRE review from Reverse Shot]

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    Living for the City: Barry Jenkins's "Medicine for Melancholy"

    The structure of Barry Jenkins's "Medicine for Melancholy" allows for a terrific twist right off the bat. Like many other modestly budgeted American indies, Jenkins's film follows two people getting to know each other, as they wander an expressive cityscape, over the course of one day -- aloofness g...

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    Portraying Chaos: Ondi Timoner's "We Live In Public" (Sundance '09)

    According to documentarian Ondi Timoner, Josh Harris -- the Internet pioneer at the center of "We Live in Public" -- didn't mind revealing the more twisted aspects of his web-fueled career. "I don't care how you portray me," he said, "as long as you make a great film."

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    24 Sundance '09 Snapshot Reviews

    EDITORS NOTE: Below are a series of snapshot reviews provided for indieWIRE by film critic Eric Kohn, offering first looks at the films being shown at the 2009 Sundance Film Festival.

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