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Movie Reviews

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    The Bad German: Vicente Amorim's "Good"

    [An indieWIRE review from Reverse Shot.]

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    Reverse Shot's Best of 2008: "Flight of the Red Balloon" and 9 more

    An acclaimed Taiwanese filmmaker working in France; a young Mexican director reimagining a canonical Danish film in an obscure Mennonite community in his home country; a West Coast-based American, enamored of the somber rhythms of the blasted Mississippi delta, miraculously captures them in the kind...

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    Dead Souls: "Alexey Balabanov's 'Cargo 200'"

    [An indieWIRE review from Reverse Shot.]

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    Expiration Date: Joel Hopkins's "Last Chance Harvey"

    [An indieWIRE review from Reverse Shot.]

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    Unforgettable: Ari Folman's "Waltz with Bashir"

    [An indieWIRE review from Reverse Shot.]

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    A Corner in Couscous: Abdellatif Kechiche's "The Secret of the Grain"

    There's no "secret" -- of cooking, of love, of financial success -- in Abdellatif Kechiche's "The Secret of the Grain," though there is indeed plenty of grain. Though it's also played under the simpler name of "Couscous," the film is actually called "The Grain and the Mullet" in French -- the latter...

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    Leap of Faith: Darren Aronofsky's "The Wrestler"

    [An indieWIRE review from Reverse Shot.]

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    So Help Me God: Rod Lurie's "Nothing But the Truth"

    [An indieWIRE review from Reverse Shot.]

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    Lady and Ghent: Christophe Van Rompaey's "Moscow, Belgium"

    [An indieWIRE review from Reverse Shot.]

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    Someone to Watch Over Me: Jose Luis Guerin's "In the City of Sylvia"

    "In the City of Sylvia," Jose Luis Guerin's odyssey of perception, is so dedicated to getting inside the act of cosmopolitan female-watching, it might as well be called "City of Women." Alert, feline-eyed Xavier Lafitte is a quiet young flaneur and diarist, an enigmatic figure introduced at loose en...

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