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Movie Reviews

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    Buy A Damn Clip-On: How to Navigate the Cannes Film Festival's Opening Night

    by Eric Kohn on May 16, 2013

    Cannes celebrates the superficiality of posh, luxurious spectacles while forcing its guests to struggle through the chaos.

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    MORE: News, Reviews, Cannes Film Festival, Thierry Fremaux, Steven Spielberg, Harvey Weinstein, Heli, Amat Escalante, The Great Gatsby, The Weinstein Company, Nicole Miller
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    Here Are Indiewire's Top 10 Articles of the Week: Criticizing 'Gatsby,' Lee Daniels' Latest, BAM's Booed At Cannes Series and More

    by Cameron Sinz on May 10, 2013

    Even with last week's major release becoming the second highest opening weekend gross of all time and Cannes just a week away, much of this week's focus seemed to lie squarely on today's major release: Baz Luhrmann's heavily anticipated/derided "Great Gatsby" 3D extravaganza. Throughout the week, we...

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    MORE: Top Weekly Stories, Top 10 Articles of the Week, Lists, Filmmaker Toolkit, The Great Gatsby, News, Reviews, Trailers, Features
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    'Sightseers' Proves Ben Wheatley's Mastery of the Horror-Comedy Formula

    by Eric Kohn on May 8, 2013

    British filmmaker Ben Wheatley has earned a following on the genre film festival circuit for a pair of distinctive movies with two very different moods. His 2009 debut "Down Terrace" followed a family of criminals through a series of amusing misadventures, suggesting Wheatley's proclivity for enlive...

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    MORE: Reviews, Sightseers, Ben Wheatley
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    How Sarah Polley's 'Stories We Tell' Explores Multiple Versions of the Truth

    by Eric Kohn on May 7, 2013

    Sarah Polley's efforts behind the camera have showcased tender performances attuned to nuanced fluctuations in shared screen chemistry. Both her Oscar-nominated 2006 directorial debut "Away from Her" and the recent "Take This Waltz" explore the deterioration of relationships in minute detail. While ...

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    MORE: Reviews, Sarah Polley, Stories We Tell
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    With 'The Great Gatsby,' Does Baz Luhrmann Prove He's More Gratuitous Than Michael Bay?

    by Eric Kohn on May 6, 2013

    The least interesting aspects of Baz Luhrmann's unsurprisingly lavish near-musical adaptation of "The Great Gatsby" come from the source material. That should surprise exactly no one. More to the point, the sprawling tale of millionaire loner Jay Gatsby (a confident Leonardo DiCaprio) yearning to be...

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    MORE: Reviews, The Great Gatsby, Baz Luhrmann, F. Scott Fitzgerald, Michael Bay
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    5 Films To Watch From The 2013 New Directors/New Films Series

    by Eric Kohn on March 19, 2013

    A joint product of the Film Society of Lincoln Center and the Museum of Modern Art for the last 42 years, New Directors/New Films showcases a wide range of first, second and in some cases third features from directors at early stages of their careers.

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    MORE: Reviews, New Directors/New Films, Film Society of Lincoln Center, MoMA, Upstream Color , Tower, Stories We Tell, Our Nixon, The Act of Killing
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    5 Films to Watch From the 2013 Film Comment Selects Series

    by Eric Kohn on February 19, 2013

    For 13 years, the editors of Film Comment magazine have presented an annual screening series of diverse cinema at the Film Society of Lincoln Center, much of which has garnered acclaim on the festival circuit but hardly anywhere else. Here are five highlights from this year's lineup.

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    MORE: Film Comment, Film Comment Selects, Gebo and the Shadow, Simon Killer, The We and the I, In the Fog, Sightseers
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    Berlin 2013: 7 Berlinale Movies We've Already Reviewed

    by Zoe Beyer on February 7, 2013

    The 63rd Berlin International Film Festival kicks off today, showcasing the very best of world cinema. Indiewire reported on the 10 premieres we're most excited for here, but we're equally interested in revisiting some films we've already reviewed at Sundance and elsewhere. Here's a list of the Berl...

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    MORE: Berlin International Film Festival, The Act of Killing, Before Midnight, Frances Ha, Interior. Leather Bar., Les Miserables, Lovelace, Upstream Color , Reviews
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    Sundance 2013: 30 Reviews From the Festival

    by Eric Kohn on January 28, 2013

    Among the 115 features that screened in Park City this year, Indiewire reviewed 30 titles, including films from every section of the festival. Links to all of them can be found here in alphabetical order.

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    MORE: Sundance Film Festival, Reviews, Ain't Them Bodies Saints, After Tiller, Before Midnight, Blackfish, Blue Caprice, The Capsule, Computer Chess, Crystal Fairy, Cutie and the Boxer, C.O.G., The East, Escape from Tomorrow, Fruitvale Station, The Gatekeepers, The Inevitable Defeat of Mister and Pete, Interior. Leather Bar., I Used to Be Darker, jOBS, Lovelace, Magic Magic, May in the Summer, Prince Avalanche, Sightseers, Stoker, Stories We Tell, V/H/S/2, Upstream Color , The Way, Way Back, We Are What We Are
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    Rome Film Festival Review: Why the Funny and Familiar 'Populaire' Panders to U.S. Audiences

    by Kaleem Aftab on November 11, 2012

    "Populaire" is a romantic farce made in France, but it unashamedly has one eye on American audiences. Even the token North American cast member Shaun Benson can't help but comment as the action moves from Paris to New York that it's "America for business and France for love."

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    MORE: Rome Film Festival, Populaire, Reviews, The Weinstein Company

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