In the opening minutes of "The Dance of Reality," zany cult director Alejandro Jodorowsky's first movie in 23 years, the director appears onscreen reciting a poem that compares money to blood, Christ and Buddha, then equates death to consciousness and wealth. It's that wacky combination of evocative...
Read More »"A genius designer on an acid trip" is the way one character describes the futuristic animated universe of Ari Folman's "The Congress," one of the most startling uses of the medium to come along in years.
Read More »Teen life is both among the prevalent focuses of contemporary cinema and a topic most readily understood. Mainstream teen movies tend to resemble the teen naivete rather than exploring the more complicated world that surrounds it. Made outside that system, Sofia Coppola's "The Bling Ring" and Franco...
Read More »Cannes celebrates the superficiality of posh, luxurious spectacles while forcing its guests to struggle through the chaos.
Read More »Even with last week's major release becoming the second highest opening weekend gross of all time and Cannes just a week away, much of this week's focus seemed to lie squarely on today's major release: Baz Luhrmann's heavily anticipated/derided "Great Gatsby" 3D extravaganza. Throughout the week, we...
Read More »For a lot of the singular voices in the American independent film scene -- several of whom attended the affable Maryland Film Festival this week, where short films and discoveries take center stage -- things are rough. In conversations with a few attendees, I heard candid admissions about the challe...
Read More »British filmmaker Ben Wheatley has earned a following on the genre film festival circuit for a pair of distinctive movies with two very different moods. His 2009 debut "Down Terrace" followed a family of criminals through a series of amusing misadventures, suggesting Wheatley's proclivity for enlive...
Read More »While the 66th edition of the Cannes Film Festival is still a week away, today marks the start of a new series at Brooklyn's BAMcinématek that looks back at the history of the festival -- particularly the notorious tendency of its audiences to boo certain films upon their premieres.
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RT @indiewire: #Cannes2013 So Far: Indiewire's Mid-Festival Wrap-Up. Get up to speed! http://t.co/D6bGLlwum8 @FdC_officiel
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RT @indiewire: Coen Brothers, Timberlake, Mulligan: The 9 best things said at the #Cannes2013 'Inside Llewyn Davis' press conference http://t.co/EEKSTyaILm
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Rodney Evans' 'The Happy Sad' Will World Premiere At Frameline Next Month | Shadow and Act http://t.co/riUgmIHZKJ via @indiewire
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First Participant PanAmerica Film, El Ardor, Begins Production http://t.co/RrPKhEqrCy via @indiewire
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