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    PARK CITY 2001 REVIEW: Channing Shines in Stettner's Uneasy Layover, "The Business of Strangers"

    PARK CITY 2001 REVIEW: Channing Shines in Stettner's Uneasy Layover, "The Business of Strangers"by Andy Bailey

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    PARK CITY 2001 REVIEW: Color of a Brisk and "Sleepy Gal," Munch's Poetic Return

    PARK CITY 2001 REVIEW: Color of a Brisk and "Sleepy Gal," Munch's Poetic Return

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    PARK CITY 2001 REVIEW: "Invisible" Revolution; Sundance Centerpiece "Circus" of Stupidity

    PARK CITY 2001 REVIEW: "Invisible" Revolution; Sundance Centerpiece "Circus" of Stupidity by Andy Bailey

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    PARK CITY 2001 REVIEW: "Deep End," She's Got Tilda Swinton Eyes

    PARK CITY 2001 REVIEW: "Deep End," She's Got Tilda Swinton Eyes

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    PARK CITY 2001 REVIEW: "In the Bedroom" Wakes up Competition; Field's Shattering Debut

    PARK CITY 2001 REVIEW: "In the Bedroom" Wakes up Competition; Field'sShattering Debut

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    PARK CITY 2001 REVIEW: On "The Road Home," Zhang Yimou Returns to Form

    PARK CITY 2001 REVIEW: On "The Road Home," ZhangYimou Returns to Formby G. Allen Johnson[EDITOR'S NOTE: G. Allen Johnson reviewed "The Road Home" at its Berlin debut for indieWIRE]Like a collapsed star that goes supernova, "The Road Home" compressesdirector Zhang Yimou's deepest thoughts -- concern...

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    PARK CITY 2001 REVIEW: Love Streams; Chereau's Intense "Intimacy"

    PARK CITY 2001 REVIEW: Love Streams; Chereau's Intense "Intimacy"

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    PARK CITY 2001 REVIEW: Heavy Traffic; Cuesta's Truthful Coming-of-Ager "L.I.E."

    PARK CITY 2001 REVIEW: Heavy Traffic;Cuesta's Truthful Coming-of-Ager "L.I.E."

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    PARK CITY 2001 REVIEW: "Hedwig" Inches Ahead in Screen Adaptation

    PARK CITY 2001 REVIEW: "Hedwig" Inches Ahead in Screen Adaptation

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    Park City 2001 REVIEW: Genre-Bending "Sexy Beast," Smug, with Strong Perfs

    PARK CITY 2001 REVIEW: Genre-Bending "Sexy Beast," Smug, with Strong Perfs

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