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    NYFF 2000 REVIEW: Davies' Still Lives; Power-"House of Mirth"

    NYFF 2000 REVIEW: Davies' Still Lives; Power-"House of Mirth"

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    TORONTO 2000 REVIEW: A Rare Beast, Kalesniko's "How To Kill Your Neighbor's Dog"

    TORONTO 2000 REVIEW: A Rare Beast, Kalesniko's "How To Kill Your Neighbor's Dog"

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    TORONTO 2000 REVIEW: Stilted "St. Pierre," Leconte's Thrilling Melodrama Lacks Passion

    TORONTO 2000 REVIEW: Stilted "St. Pierre," Leconte's Thrilling Melodrama Lacks Passion

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    TORONTO 2000 REVIEW: Genre-Bending "Sexy Beast," Smug, with Strong Perfs

    TORONTO 2000 REVIEW: Genre-Bending "Sexy Beast," Smug, with Strong Perfs

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    TORONTO 2000 REVIEW: A Populist "Crouching Tiger, Hidden Dragon" Dazzles

    TORONTO 2000 REVIEW: A Populist "Crouching Tiger, Hidden Dragon" Dazzles

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    TORONTO 2000 REVIEW: Frear's Great Chronicle For 'Liam'

    TORONTO 2000 REVIEW: Frear's Great Chronicle For 'Liam'

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    Venice 2000 REVIEW: 'Andalusian Dog, Gatlif's 'Vengo'

    Venice 2000 REVIEW: 'Andalusian Dog, Gatlif's 'Vengo'

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    TORONTO 2000 REVIEW: Mamet Misfires on Corner of "State and Main"

    TORONTO 2000 REVIEW: Mamet Misfires on Corner of "State and Main"

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    VENICE 2000 REVIEW: Bleak House; Gritty "Last Resort" Emerges as Lido Stand Out

    VENICE 2000 REVIEW: Bleak House; Gritty "Last Resort" Emerges as Lido Stand Out

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    VENICE 2000 REVIEW: Female Trouble in Iran, Panahi's "The Circle"

    VENICE 2000 REVIEW: Female Trouble in Iran, Panahi's "The Circle"

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