Celebrating 17 Years of Film.Biz.Fans.

Movie Reviews

  • Indiewire
    0 comments
    tweet
    0

    End Game: Gela Babluani's "13 Tzameti"

    Oddly, the current greatest fear as reflected in our moviegoing consciousness isn't of widespread terrorism or megaton catastrophe. Yes, large-scale disasters and toppling monuments are served up for our delectation as always; they're still making as many "Poseidon"s and "War of the Worlds"s as you ...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Look at Me: Francois Ozon's Time to Leave

    One has to at least admire Francois Ozon's attempt to articulate a more thoughtful and private perspective on untimely death. Keeping company with outsized melodramas swimming in shallow carpe diem sentiment like "My Life Without Me" (not to mention the reversals of romances like "Autumn in New Yor...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Dark Victory: Patrice Chereau's "Gabrielle"

    I anticipated a fairly fitful sleep after catching a late screening of "Gabrielle," Patrice Chereau's adaptation of Joseph Conrad's short story "The Return." Relationship dramas can rarely be described as spooky, but "Gabrielle," like Conrad's story, is a bona-fide creepshow, complete with scaremong...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Sand Trap: Laurent Cantet's "Heading South" By Sarah Silver

    Early on in "Heading South" ("Vers le sud"), we are introduced to Brenda (Karen Young), an American who has traveled alone to a picturesque beach. In her late forties, Brenda appears comfortable in her own skin, even though the setting, Port-au-Prince, Haiti, in the Seventies, predates the "40 is t...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Death Metal: Chris Paine's "Who Killed the Electric Car?"

    The movement of documentaries into the mainstream has brought forth its share of negatives to go along with the obvious positive of a more inclusive market. Coupled as the upsurge has been with the rise of reality TV and the accessibility of DV, I suppose it shouldn't come as a shock that the popula...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Chamber Drama: Michael Winterbottom and Mat Whitecross's "The Road to Guantanamo"

    Though it will likely play to a different crowd, make no mistake: "The Road to Guantanamo" is a not-too-distant cousin of Paul Greengrass's recent "United 93." Both represent the same tendency towards visceral, present-tense cinematic reportage that, through the integration of actuality footage and ...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    2006 Half-Time: A Sidelong Glance

    It's mid-June, and much has been made of the dearth of worthwhile cinema thus far in 2006. Week after week has gone by in which we have heard fellow cinephiles (and those less inclined) cry of their disinterest in going to the movies, that there's just nothing worth seeing. The truth of the matter i...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    Death Takes a Holiday: Robert Altman's "A Prairie Home Companion"

    How appropriate that Robert Altman should follow his honorary Oscar with a film like "A Prairie Home Companion." Career achievement awards usually invite a sanctification of a body of work and a sensibility, and "Prairie Home" is itself a kind of grand summary: there's something quintessentially Alt...

    Read More »
  • Indiewire
    2 comments
    tweet
    2

    Front and Center: Deborah Scranton's "The War Tapes"

    Attempting to achieve a delicate balance between a respect for and a critical stance toward the subject, with a constant awareness of the moral and ethical dilemmas potentially undermining the epistemological foundations of their projects, war documentaries arrive onscreen carrying a host of artisti...

    Read More »
  • Indiewire
    0 comments
    tweet
    0

    The Heartbreakers: "A Lion in the House"

    [indieWIRE's weekly reviews are usually written by critics from Reverse Shot. This week, they've handed their column over to Steve Ramos who takes a look at Reverse Shot's first theatrical release. ]

    Read More »

Popular Posts


  • Joe, Nicolas CageThe Films Of Nicolas Cage: A Retros ...The Playlist
  • Review: Chris Eska's Meditative, Slow-Burn ...Thompson on Hollywood
  • Shifting The Conversation On Black Cinema ...Shadow and Act
  • McCanickReview: ‘McCanick’ Starring David Morse ...The Playlist
  • Breathe InLeonard Maltin
  • Is 'Dyke and Fats' The Best (Queer) .../Bent
  • 10 Filmmakers Of The African Diaspora ...Shadow and Act
  • Movie Talk With Doug Benson And Samm ...Leonard Maltin
  • Norman Reedus,Walking Dead'Walking Dead' Star Norman Reedus Joins ...The Playlist
  • 'A Haunted House 2' Gets A 'Facebook ...Shadow and Act
  • Indian Animation - Weekly Update (# ...Animation Scoop
  • Walking on the "Wild Side"? '20 Feet ...Shadow and Act
  • Contest: Tell Us Why You Heart Divine .../Bent
  • Introducing: The Critical Press' Tom ...Criticwire
  • 2014 NY African Film Festival Announces ...Shadow and Act

Latest Tweets


Follow us