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    TORONTO 2002 REVIEW: Lush, Ambitious, and Plotless; Ramsay's "Morvern Callar"

    TORONTO 2002 REVIEW: Lush, Ambitious, and Plotless; Ramsay's "Morvern Callar"

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    NYFF 2002 REVIEW: When Mise en Scene Trumps Montage; Sokurov's "Russian Ark"

    NYFF 2002 REVIEW: When Mise en Scene Trumps Montage; Sokurov's "Russian Ark"

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    REVIEW: Obsession Made Even More Lunatic: Jonze and Kaufman's Fearless "Adaptation"

    REVIEW: Obsession Made Even More Lunatic: Jonze and Kaufman's Fearless "Adaptation"

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    REVIEW: "The Quiet American" or "Bowling for Hanoi"

    REVIEW: "The Quiet American" or "Bowling for Hanoi"

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    REVIEW: The Postmodern Melodrama of Almodovar's "Talk to Her"

    REVIEW: The Postmodern Melodrama of Almodovar's "Talk to Her"

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    REVIEW: Egoyan's Cool Intellectualism Takes on Genocide

    REVIEW: Egoyan's Cool Intellectualism Takes on Genocide

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    REVIEW: Unlikely Homegrown Korean Hit Reaches U.S. Shores; Lee Jung-Hyang's "The Way Home"

    REVIEW: Unlikely Homegrown Korean Hit Reaches U.S. Shores; Lee Jung-Hyang's "The Way Home"

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    REVIEW: An Audacious Throwback; Todd Haynes' Triumphant "Far From Heaven"

    REVIEW: An Audacious Throwback; Todd Haynes' Triumphant "Far From Heaven"

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    REVIEW: Working Class Heroes; Mike Leigh Returns to Contemporary Misery With "All or Nothing"

    REVIEW: Working Class Heroes; Mike Leigh Returns to Contemporary Misery With "All or Nothing"

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    NYFF 2002 REVIEW: Tests of Faith, or Lack Thereof; Bellocchio's "My Mother's Smile"

    NYFF 2002 REVIEW: Tests of Faith, or Lack Thereof; Bellocchio's "My Mother's Smile"

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