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Movie Reviews

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    Review: 'Wayward Pines' Season 2 Loses Everything—Even the Allure of M. Night Shyamalan

    M. Night Shyamalan is all but erased from the follow-up to "Wayward Pines," and that's surprisingly detrimental.

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    'Unlocking the Cage' Review: D.A. Pennebaker and Chris Hegedus Tackle Animal Rights

    Are animals people, too? This vérité work from a pair of non-fiction masters raises an interesting question before fumbling for incomplete answers.

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    Cannes Review: 'The Wailing' Is An Epic Korean Horror Movie Too Crazy For Its Own Good

    Na Hong-jin's demented follow-up to "The Yellow Sea" is a devilish good time, but it could have been so much more.

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    How the Cannes Film Festival Made Movies Exciting Again — Critic's Notebook

    As the gigantic film gathering comes to a close, here are some reasons for optimism.

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    Cannes Review: Mel Gibson is Officially a B-Movie Star With 'Blood Father'

    The actor stars in this formulaic genre movie that plays off his public persona.

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    Cannes Review: Paul Verhoeven's 'Elle' is a Lighthearted Rape-Revenge Story

    Isabelle Huppert stars in this twisted look at a woman taking control of her troubled life.

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    Cannes Review: 'Fiore' Is an Arresting Coming-of-Age Story Set in Juvenile Detention

    Newcomer Daphne Scoccia gives an unforgettable breakout performance in this drama that draws from her own experiences.

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    Review: 'All the Way' Finds Meaty Parallels to Modern Politics (And, Yes, Bryan Cranston Kills It)

    Jay Roach's biographical breakdown of LBJ's first year in office paints an ugly personal portrait, contradictory to the great things this "accidental president" accomplished.

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    Cannes Review: Chris Pine and Ben Foster Are Unstoppable Bank Robbers in David Mackenzie's 'Hell or High Water'

    If "No Country For Old Men" were a heist movie, it might look something like this.

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