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Movie Reviews

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    Review: 'Money For Nothing: Inside The Federal Reserve'

    In 2010, Charles Ferguson's powerful "Inside Job" arrived in theaters, hot on the heels of 2007-2008 financial crisis. It was an effective, scathing and furious look at the systemic breakdown of the very institutions that are supposed to protect us that led to a situation that put the entire world e...

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    Review: 'Abigail Harm' Starring Amanda Plummer & Will Patton

    Abigail watches from a distance as the man disrobes. A modestly-handsome Asian man, he has no name, and freely abandons his towel to dowse himself in a tub in the middle of an abandoned studio space. She flinches, waiting for the right moment to seize the towel, to trap him within his own nudity. He...

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    Telluride Film Festival 2013: Reviews from the Festival

    Here's a handy round-up of film reviews from the Telluride Film Festival 2013.

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    How the Telluride Film Festival Cheats the System

    By programming more than one survival movie at the Telluride Film Festival this year, a decision that give rise to a panel on the theme and a couple of appropriate trend pieces, the festival programmers had the right audience in mind. It takes about a day for most people to adjust to the thin air in...

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    The Axis of Cool in DRINKING BUDDIES, and How It Tilts

    Joe Swanberg, as has been duly noted elsewhere, is building a portrait of a generation with his body of work. It's easy to imagine that, as Swanberg's films expand in scope, the crisis his characters face, the crucial question--can my plaid, my organic coffee, and my iPod survive my larger life cris...

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    Venice Review: Steven Knight’s ‘Locke’ Starring Tom Hardy

    Of all the genres, the single location film is perhaps one of the hardest to get right. For one, you need a hell of an actor (or actors) to hold the attention for even the briefest of running times. You also need a story that coherently keeps the actors in place, with enough of a hook to keep you in...

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    Telluride Film Festival Review: If Miyazaki's New Movie 'The Wind Rises' Is Really His Final Film, It's An Appropriate One

    Japanese animator Hayao Miyazaki has achieved status as one of the great filmmakers of his time, with a distinctive visual sensibility that has garnered comparisons to Walt Disney and a depth of imagination that defies any classification other than Miyazaki's own head. From "Princess Mononoke" to th...

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    Telluride Film Festival Review: Mia Wasikowska Rescues Bland Travelogue 'Tracks' From Lyrical Aimlessness

    In 1975, a soul-searching young Australian woman named Robyn Davidson set out to travel solo from Alice Springs across the vast, empty desert to reach the Indian Ocean some 2,000 miles away. Aided only by a trio of camels and her dog, Davidson eventually completed the voyage and wrote a popular Nati...

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    Telluride Film Festival Review: Ralph Fiennes Directs Himself As Charles Dickens In 'The Invisible Woman,' But It's Felicity Jones Who Shines

    Ralph Fiennes' quasi-modern adaptation of "Coriolanus," which marked the actor's directorial debut, was a sharply experimental take on the source material. For his second effort behind the camera, "The Invisible Woman," the director has taken a more classical approach. Adapting Claire Tomalin's book...

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    Telluride Review: Shane Salerno's 'Salinger' Documentary Makes For A Compelling Mystery Yarn

    Making a documentary about the 20th (and 21st) century’s most notorious recluse is rife with both hazards and rewards for filmmaker Shane Salerno, whose “Salinger” has to make do without a single video or audio clip of its titular subject — not because of rights restrictions, but because they appare...

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